Film

Showing results 41-60 of 66

Premiering in the US and UK this month, Céline Sciamma’s lesbian period drama employs the myth of Orpheus to re-centre the female gaze

BY Cassie Packard | 18 FEB 20

At the Blaffer Art Museum, Houston, the artist screens the lost films of a Hollywood huckster, a reminder that the media industry runs on broken dreams

BY William Harris | 10 JAN 20

With rapid cuts, spatial leaps and sudden bursts of sound, two films at Stedelijk Museum, Amsterdam, create a maze-like experience

BY Ren Ebel | 06 JAN 20

With the current debate on art institutions’ reliance on private funding, the Dutch artist teaches us how to avoid becoming complicit in a company’s shady activities 

BY Kito Nedo | 11 NOV 19

A new film documenting the destruction of an east London community centre drills into the deformation of Muslim subjects by the state

BY Marek Sullivan | 14 OCT 19

From blues to jazz to the baroque – new fiction from Claire-Louise Bennett

BY Claire-Louise Bennett | 22 SEP 19

‘Militant Desire’, a new series of screenings at London’s Gasworks, revives consciousness-raising 

BY Sean Burns | 01 JUL 19

‘Movies don’t change, and I do, and I don’t. Memory isn’t a choice and, like everyone, I forget way more than I can recall, necessarily.’

BY Lynne Tillman | 01 JUN 19

‘Some have mattered more to the living Jalal, others to the dead one indulging in jouissance

BY Jalal Toufic | 20 FEB 19

‘I would like to dedicate this tribute to all of Zidane’s fans (of whom I am one)’

BY Violaine Boutet de Monvel | 13 FEB 19

‘At the first site, the freedom of the United States of America is honoured; at the second, the history of its immigrants is conserved’

BY Carina Bukuts | 07 FEB 19

‘No other type of cinema in recent decades has worshipped reality in this intense manner’

 

BY Mark Cousins | 04 FEB 19

‘Metaphorically, wearing an eye mask bids farewell to this desire to know, instead, one must rely on something unknown’

01 FEB 19

‘It embodies the qualities of enthusiasm, enquiry and toe-curling earnestness that art can’t exist without’

BY Dan Fox | 30 JAN 19

‘His works are imbued with such rare emotional acuity and nuance that it is hard not to be first stunned and, then, deeply moved’

BY Shanay Jhaveri | 24 JAN 19

‘The Western that heroized pioneers unsettling the West was moribund. Unforgiven, an anti-Western Western, buried it.’

BY Lynne Tillman | 22 JAN 19

‘Each hypnotic frame of No Home Movie lasts just long enough to allow our minds to wander, summoning recollections of domestic spaces’

BY Hedi El Kholti | 08 JAN 19

‘This is, perhaps, the best ending of any film, ever’

BY Erika Balsom | 08 JAN 19