Reviews

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The surreal rock opera, which opened this year’s Cannes Film Festival, is a gritty musical examining sex, power and family relations under intense glare of fame

BY Carlos Valladares |

In Awoye Timpo’s reimagining of Gunn’s play, a father and son grapple with visions of accomplishment that deny autonomy and identity

BY Beatrice Loayza |

At the Jewish Museum Berlin, the Israeli-born artist’s newly commissioned, three-channel video and sound installation continues her career-long investigation into the visual language of messianic desire

BY Boaz Levin |

A survey of the artist's work at Kunsthalle Bern celebrates Geys's desire to challenge the status quo and bring art to masses

BY Kito Nedo |

The artist’s exhibition at Chisenhale Gallery shows how entangled and dependent our lives are upon one another

BY Kate Wong |

From Darrel Ellis's family photographs in New York to Pakui Hardware's medical examination room in Gateshead, here are our editors' picks 

BY frieze |

After months of lockdown, cinemas in the UK re-open with Pedro Almodóvar’s smart, chic short 

BY Philippa Snow |

A show at Nanjing’s Sifang Art Museum sparks a dialogue between two artists working through generational trauma

BY Alvin Li |

At Baltic Centre, Gateshead, the Lithuanian artist duo open their first UK institutional solo with a quasi-operating room featuring a giant mechanical doctor

BY Alice Bucknell |

At Marisa Newman Projects, the artist presents an installation exploring his first experiences of identifying the self through colour

BY Saul Anton |

At Almine Rech, ‘Country Western’, the artist’s first solo show in the UK, draws on the unashamed iconography surrounding fame

BY Cal Revely-Calder |

At Cooke Latham Gallery, the artist replicates a doctor’s surgery, using mythic creatures as a metaphor for living with polycystic ovary syndrome

BY Jamila Prowse |



At Bel Ami, Los Angeles, the artist’s paintings take a satirical look at the grisly history of American bigotry against US Asian populations

BY Travis Diehl |

Curated by Ekow Eshun, an exhibition of work by 11 Black artists at Lisson Gallery traces colonial histories alongside collective healing practices

BY Aida Amoako |

At Stephen Friedman Gallery, London, the Brazilian painter uses geometric abstraction as a tool for engaging with endangered ecosystems

BY Tomas Weber |

At Damien & The Love Guru, Brussels, the artist's photographs and texts put colonial histories in perspective with the rise of nationalism in Europe

BY Emile Rubino |

At Kunsthalle Basel, the artists peculiar designs and polished surfaces speak to the violence against bodies 

BY Kito Nedo |

‘Can you hear my voice?’ at Margaret Lawrence Gallery, Melbourne, asks what it means to claim agency amidst sectarian conflict

BY Shaad D’Souza |

At Leslie-Lohman Museum, New York, a retrospective of the late artist presents photography and video works that celebrate Latinx, Lesbian and working-class communities and the curative powers of self-acceptance

BY Jane Ursula Harris |

At STPI, Singapore, the artist's solo exhibition wryly investigates the systems and structures of power 

BY Wong Binghao |