US Reviews

Showing results 61-80 of 262

At The Shed, New York, figurative paintings on pardo paper lead us to reconsider our own positions in relation to artworks and museum spaces

BY Zoë Hopkins |

At Amant, Brooklyn, the women-led group show fluidly reimagines the mythological creature in a media-spanning exhibition

BY Cassie Packard |

‘STAND’, at The Watermill Center, New York, is the most comprehensive survey to date at the institution that jumpstarted the artist’s 50-year career

BY Rebecca Rose Cuomo |

At Monique Meloche, Chicago, the artist subverts the worst of American racial stereotyping in briskly emotive figurative paintings

BY Jackson Arn |

In two interrelated solo exhibitions at Silverlens, New York, Atienza refuses a touristic gaze of the Philippines’s landscape while Yee urges grassroots governance

 

BY Danielle Wu |

From Rose B. Simpson’s figurative clay sculptures at the ICA/Boston to an homage of Lucy Lippard’s show of women artists at the Aldrich Contemporary Art Museum, here are the shows currently on our radar

BY frieze |

At Museu de Arte de São Paulo, the artist memorializes the Black leaders and notable individuals overlooked in the country’s visual past

BY Camila Belchior |

'52 Artists: A Feminist Milestone' at the Aldrich Contemporary Art Museum commemorates and expands upon Lucy Lippard's groundbreaking 1971 exhibition 'Twenty Six Contemporary Women Artists'

BY Erica N. Cardwell |

In her solo exhibition at MARCH, New York, the artist depicts communal life in scenes of both peace and violence as a site for political revolution

BY Madeleine Seidel |

The duo’s solo exhibition at the New Museum, New York, shows multiple facets of Brazilian identity

BY Mariana Fernández |

In the artist’s solo show at ICA/Boston, figurative sculptures articulate the social power of family and community

BY Caitlin Chaisson |

From Kaari Upson’s first posthumous exhibition at Sprüth Magers, LA, to Clarice Lispector’s brilliant orbit of Brazilian artists at Instituto Moreira Salles, Rio de Janeiro, here are the shows on our radar across the Americas

BY frieze |

The artist’s first posthumous exhibition at Sprüth Magers, Los Angeles, defies easy assumptions about her work and life

BY Jonathan Griffin |

From a sweeping Robert Colescott survey at the New Museum to an exhibition of drawings by Luchita Hurtado at Hauser & Wirth Southampton, these are the must-see shows in New York after the Armory Show

BY Mariana Fernández |

Paired together at Meredith Rosen Gallery, New York, Friedman-Pappas explores the continuing drive toward industrialization while Black critiques the world of racial capitalism born from it

BY Jessica S. Kwok |

From a group show of Ukrainian women artists at Fridman Gallery, NY to Cathy Lu’s ceramic garden at Chinese Culture Center of San Francisco, these are the shows on our radar this month

BY frieze |

Nature and culture are inseparable in ‘Strike-Slip’, the artist’s first solo show at Bel Ami, Los Angeles

BY Jan Tumlir |

The first extensive exhibition of the self-taught artist’s work at Telfair Museums, Savannah, is filled with fact and fantasy inspired by his unconventional life at sea

BY Daniel Fuller |

In collaboration with Voloshyn Gallery in Kyiv, this exhibition at Fridman Gallery foregrounds the Ukrainian women at the discursive frontiers of history

BY Zoë Hopkins |

The second iteration of the Cleveland Triennial for Contemporary Art asks what art can do in an increasingly fraught political climate, but simply offers symbolic gestures

BY Alex Jen |