in Frieze Los Angeles | 09 FEB 23

Paintings from $10k to $1m on Frieze Viewing Room

Explore works by Park Seo-Bo, Sanam Khatibi, Kelly Lynn Jones, Joan Snyder, Richard Diebenkorn and more on the Frieze Los Angeles 2023 edition

in Frieze Los Angeles | 09 FEB 23

Hana Ward

Like a long forgotten dream, 2022

46" x 54" (116.83 cm x 137.15 cm)

$10-20k

Presented by OCHI

Hana Ward Like a long forgotten dream, 2022 46" x 54" (116.83 cm x 137.15 cm) $10-20k
Hana Ward, Like a long forgotten dream, 2022, 46" x 54" (116.83 cm x 137.15 cm), Courtesy the Artist and OCHI

New paintings and ceramic works by artist Hana Ward, an LA-based artist, depict Black and Brown feminine figures who reflect and dream as they build their own sovereign worlds. Influenced by anticolonial histories, spiritual texts, and cycles of the natural world, as well as by the canon of art history, Ward's works communicate deeply personal metamorphoses (OCHI, Los Angeles, Ketchum, Focus).

Miranda Byk

Everything I've Seen Before, 2022

Oil on canvas

72" x 60" (182.88 cm x 152.4 cm)

$13,000

Presented by Sow & Tailor

Miranda Byk Everything I've Seen Before, 2022 Oil on canvas 72" x 60" (182.88 cm x 152.4 cm) Presented by Sow & Tailor
Miranda Byk, Everything I've Seen Before, 2022, Oil on canvas, 72" x 60" (182.88 cm x 152.4 cm), Courtesy the Artist and Sow & Tailor

Miranda Byk depicts the human experience of temporality by exploring notions of duality and nostalgia through a mystical lens. She is interested in creating magic realism, blurring the lines between fantasy and reality (Sow & Tailor, Los Angeles, Focus).

Chris Watts

The spirits that lend strength are invisible XVII, 2023

Pigments, resin, acrylic, organza silk, stained wood

63.98" x 43.98" (162.5 cm x 111.7 cm)

$15,000

Presented by Welancora

Chris Watts The spirits that lend strength are invisible XVII, 2023 Pigments, resin, acrylic, organza silk, stained wood 63.98" x 43.98" (162.5 cm x 111.7 cm) $15,000
Chris Watts, The spirits that lend strength are invisible XVII, 2023, Pigments, resin, acrylic, organza silk, stained wood, 63.98" x 43.98" (162.5 cm x 111.7 cm), courtesy the Artist and Welancora

‘Seen and Unseen’ is a presentation of varied works including paintings by Chris Watts. It builds on his interest in exploring the representation of the Black body and indigenous cultures, through the formal engagement of abstract painting (Welancora Gallery, New York, Main).

Kelly Lynn Jones

Meridian, 2023

Acrylic, Oil and Oil Stick on canvas

60" x 48" (152.4 cm x 121.92 cm)

$15,000

Presented by The Pit

Kelly Lynn Jones Meridian, 2023 Acrylic, Oil and Oil Stick on canvas 60" x 48" (152.4 cm x 121.92 cm) $15,000
Kelly Lynn Jones, Meridian, 2023, Acrylic, Oil and Oil Stick on canvas, 60" x 48" (152.4 cm x 121.92 cm), courtesy the Artist and The Pit

Kelly Lynn Jones’s artworks narratively reflect children’s tales, hinting at mythology through theatrically lit vignettes, symbolic animals, and figurative performance rooted in her very real experience as a mother (The Pit, Los Angeles, Main).

Uman

Untitled, 2022

acrylic, oil and oil stick on canvas

38.19" x 38.27" (97 cm x 97.2 cm)

$30,000

Presented by Nicola Vassell Gallery

UMAN Untitled, 2022 acrylic, oil and oil stick on canvas 38.19" x 38.27" (97 cm x 97.2 cm) $30,000
UMAN, Untitled, 2022, acrylic, oil and oil stick on canvas, 38.19" x 38.27" (97 cm x 97.2 cm), courtesy the Artist and Nicola Vassell Gallery

Widely traveled and self-trained, Uman’s practice explores gender and cultural fluidity through paintings, drawings and sculpture, while remaining spiritually engaged and instinctive (Nicola Vassell Gallery, New York, Main).

Park Seo-Bo

Ecriture No.911107, 1991

Acrylic with Korean hanji paper on canvas

18 x 26 cm

$50-100k

Presented by Johyun Gallery

Park Seo Bo Ecriture No.911107, 1991 Acrylic with Korean hanji paper on canvas 18 x 26 cm $50-100k
Park Seo-Bo, Ecriture No.911107, 1991, Acrylic with Korean hanji paper on canvas, 18 x 26 cm, Courtesy the Artist and Johyun Gallery

Park Seo-Bo reflects Korean sentiments and aesthetics via an investigation into flatness, materiality, and mediation in art making. His rhythmic actions repeatedly performed on the canvas are intended to build a sense of unity between materials, objects, and the self (Johyun Gallery, Busan, Main).

March Avery

Provincetown Zen, 1962

Oil on canvas

42.01" x 48.11" x 0.75" (106.7 cm x 122.2 cm x 1.9 cm)

$75,000

Presented by Blum & Poe

March Avery Provincetown Zen, 1962 Oil on canvas 42.01" x 48.11" x 0.75" (106.7 cm x 122.2 cm x 1.9 cm) $75,000
March Avery, Provincetown Zen, 1962, Oil on canvas, 42.01" x 48.11" x 0.75" (106.7 cm x 122.2 cm x 1.9 cm), Courtesy the Artist and Blum & Poe

Raised with the dividing line between life and art blurred, this is the subject matter of March Avery's work: daily domestic scenes, portraits of friends and family members, and landscapes visited and revisited over the course of a lifetime (Blum & Poe, Los Angeles, Main).

Katherine Bernhardt

Bubbly Soap Shower, 2022

Acrylic and spray paint on canvas

60" x 48" (152.4 cm x 121.92 cm)

$ 110,000

Presented by Canada

Katherine Bernhardt Bubbly Soap Shower, 2022 Acrylic and spray paint on canvas 60" x 48" (152.4 cm x 121.92 cm) $ 110,000
Katherine Bernhardt, Bubbly Soap Shower, 2022, Acrylic and spray paint on canvas, 60" x 48" (152.4 cm x 121.92 cm), Courtesy the Artist and Canada

Through her index of images, from childhood sticker books to a ketchup bottle seen during travel, Katherine Bernhardt chronicles her life and the broader culture, synthesizing her visual material with hard-won ease (Canada, New York, Main).

Joan Snyder

Burlap Bars, 2022

Oil, acrylic, rosebuds, twigs, burlap on linen

54" x 66" (137.16 cm x 167.64 cm)

$120,000

Presented by Canada

Joan Snyder Burlap Bars, 2022 Oil, acrylic, rosebuds, twigs, burlap on linen 54" x 66" (137.16 cm x 167.64 cm) $120,000
Joan Snyder, Burlap Bars, 2022, Oil, acrylic, rosebuds, twigs, burlap on linen, 54" x 66" (137.16 cm x 167.64 cm), courtesy the Artist and Canada

Through a fiercely individual approach and persistent experimentation with technique and materials, Joan Snyder has extended the expressive potential of abstract painting and inspired generations of emerging artists (Canada, New York, Main).

Sanam Khatibi

Daily Domestic Routines, 2022

oil and pencil on canvas

94.49" x 74.8" (240 cm x 190 cm)

$100-250k

Presented by Mendes Wood DM

Sanam Khatibi Daily Domestic Routines, 2022 oil and pencil on canvas 94.49" x 74.8" (240 cm x 190 cm) $100-250k
Sanam Khatibi, Daily Domestic Routines, 2022, oil and pencil on canvas, 94.49" x 74.8" (240 cm x 190 cm), courtesy the Artist and Mendes Wood DM

Sanam Khatibi’s work explores notions of animality and the primal impulses that we all share. At the core of her practice is a questioning of our relationship with power structures, and the duality of triumph and failure (Mendes Wood DM, São Paulo, Main).

Andreas Eriksson

Texture Mapping III 2019-2021, 2022

Acrylic, egg oil tempera and oil on canvas mounted on panel, Forty-five parts, each: 50 x 40cm

109.45" x 163.78" (278 cm x 416 cm)

$250-500k

Presented by Stephen Friedman Gallery

Andreas Eriksson, Texture Mapping III 2019-2021, 2022, Acrylic, egg oil tempera and oil on canvas mounted on panel, Forty-five parts, each: 50 x 40cm, 109.45" x 163.78" (278 cm x 416 cm), copyright Andreas Eriksson. Courtesy the Artist and Stephen Friedman Gallery, London.
Andreas Eriksson, Texture Mapping III 2019-2021, 2022, Acrylic, egg oil tempera and oil on canvas mounted on panel, Forty-five parts, each: 50 x 40cm, 109.45" x 163.78" (278 cm x 416 cm), copyright Andreas Eriksson. Courtesy the Artist and Stephen Friedman Gallery, London.

Andreas Eriksson’s artistic practice encompasses a wide range of media including painting, tapestry, sculpture and installation. Rendered in earthy and botanical hues, his works are understated yet possess a poetic quality which has a lasting effect on the viewer (Stephen Friedman Gallery, London, Main).

Richard Diebenkorn

Green, 1986

Color spit bite aquatint with soft ground aquatint and drypoint

53.74" x 41.5" (136.5 cm x 105.4 cm)

Edition of 60

$500k-1m

Presented by Berggruen Gallery

Richard Diebenkorn Green, 1986 Color spit bite aquatint with soft ground aquatint and drypoint 53.74" x 41.5" (136.5 cm x 105.4 cm) Edition of 60 $500k-1m
Richard Diebenkorn, Green, 1986, Color spit bite aquatint with soft ground aquatint and drypoint, 53.74" x 41.5" (136.5 cm x 105.4 cm), Edition of 60, Courtesy the Artist and Berggruen Gallery

Richard Diebenkorn is prolific in the still life genre: some of his nearly monochromatic still life drawings are among the most distinctive, and ravishing, in twentieth century art (Berggruen Gallery, San Francisco, Main).

About Frieze Viewing Room

Frieze Viewing Room is a free digital platform, connecting global audiences with Frieze's galleries and artists. Opening to all from February 09–20, the Viewing Room offers fair visitors a preview of the wealth of gallery presentations coming to Frieze Los Angeles 2023, as well as the chance for audiences around the world to experience and acquire the artwork on show.

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Main image: Miranda Byk, Everything I've Seen Before, 2022, Oil on canvas, 72" x 60" (182.88 cm x 152.4 cm), Courtesy the Artist and Sow & Tailor

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