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Contributor
Ana Vukadin

Ana Vukadin is a writer, translator and editor who lives in Jesi, Italy.

In Rome, a group exhibition dedicated to immersive spaces encourages gleeful interaction inside the museum's walls

BY Ana Vukadin |

How an ‘ethical, comprehensive and critical overhaul’ of the institution’s problematic collection is busting the myth of the italiani brava gente

BY Ana Vukadin |

From a spectacular solo show by Nari Ward to a plein air poster exhibition featuring Italian-based artists, here’s what to see during Miart

BY Ana Vukadin |

A posthumous retrospective at MACRO, Rome, attempts to represent the artists demateralized practice through a trove of documentation

BY Ana Vukadin |

At Pirelli HangarBicocca, Milan, a retrospective dedicated to the eccentric artist showcases his all-consuming pursuit of perfection and beauty

BY Ana Vukadin |

At Sant’Andrea De Scaphis, Rome, the artist instils an apparently bucolic setting with a sinister undertone

BY Ana Vukadin |

Ahead of her first British solo show at London's Sadie Coles HQ, the artist discusses her idea of womanhood and how her creative career blossomed later in life

BY Ana Vukadin |

At Matèria, Rome, the artist’s beeswax sculpture of a key figure in Buddhism reflects a significant moment in Mongolian history

BY Ana Vukadin |

At P420, Bologna, the artist’s canny combination of materials fuels dark leaps of imagination

BY Ana Vukadin |

How spontaneous, informal networks are transforming the art scene of the eternal city

BY Ana Vukadin |

Building on the feminist themes of Deborah Levy's 'Real Estate', the artist’s solo exhibition at Istituto Svizzero celebrates women relegated to the side-lines of history

BY Ana Vukadin |

At Fondazione Memmo, Rome, the artist's latest installation voices concerns on power inequalities and global uneasiness

BY Ana Vukadin |

Based on visits to this unique archaeological site, the artist's new series of ceramic sculptures mine the past to remind us of the fragility of the present

BY Ana Vukadin |

At Fondazione Prada, the artist’s site-specific installation plays on puns and cultural icons to debate identify politics through the story of a cartoon bear called Who

BY Ana Vukadin |

At Collezione Maramotti, Reggio Emilia, the artist’s largest paperwork to date explores the notion of movement 

BY Ana Vukadin |

At the Fondazione Giuliani in Rome, the artist looks at the playful and political aspects of disguises

BY Ana Vukadin |

How archival footage at MAXXI, Rome, brings to life Ponti’s wit, intellect and erudition

BY Ana Vukadin |

Collezione Maramotti, Reggio Emilia, exhibits the painter’s postmodernist appropriation of philosophical and historical narratives

BY Ana Vukadin |

With ‘Cantiere’, the sculptor shows himself to be one of Italy’s best kept secrets

BY Ana Vukadin |

As her retrospective at MAXXI in Rome attests, the late Italian artist believed in the power of the imagination to save lives 

BY Ana Vukadin |