Lee speaks with Andrew Durbin, editor-in-chief of frieze magazine, about Seoul’s best cafes and must-see museums and finest moments on film. 

From Atis Rezistans's take over of St. Kunigundis Catholic Church to a mesmerizing installation by Nhà Sàn Collective at the Stadtmuseum

At the Arsenale, monumental works question the place of the human in nature, and the nature of the human

The artist and poet speak to frieze about staging the domestic intimacies of the pandemic and post-pandemic worlds

What does the closure of the iconic gallery mean for the New York art world? 

In a new collection of essays, the writer considers art, mortality and the death of her husband, Kevin Killian

Andrew Durbin reflects on the efforts of seven centuries to monumentally exalt – and incidentally profane – the poet Dante

Ahead of a three-month project in the Rockaways, the London-based artist is thinking about home, time and community

Amid a glut of painting and portraiture, a few artists are experimenting with video, photography and animation

The UK-based poet speaks with frieze editor Andrew Durbin about her debut collection of poems from Granta

From an exhibition of Francis Bacon’s ‘beasts’ to Terrence Malick’s film on the life of Christ, these are the top picks for the year

COVID-19 and Black Lives Matter were two of the major events that signalled the changes that may – and in many cases must – come next year

frieze editor Andrew Durbin speaks to the author about his new essay on Bollywood for the November/December issue

With ‘Men and Apparitions’ – her first novel to be published in the UK since 1999 – Tillman deep-dives into photography and its lovers

2020Solidarity/Between Bridges is selling artist-made posters to raise funds for the city’s beleaguered clubs, performers and organizers

Frieze magazine has been redesigned, beginning with our May/June issue

The artists, collectives, movements and tendencies that shaped art in the 2010s

The 2013 album is a compelling record of our collective fracturing 

Speaking to frieze editor Andrew Durbin, Rainer discusses the way she resists the myths of the 1960s

New arrangements of artists from across the planet emphasize broad concepts over tidier organizing principles