The Canadian painter’s new work offers a ‘vivid experience of perception without vivid percepts’

‘Sekula’s sentences have their own nautical rhythm that brings incommensurate scales of experience into sudden relation’

Hal Foster and Ben Lerner discuss criticism, poetry, painting and what it means to despise the thing you love most

The framing of art and life in Rachel Kushner’s The Flamethrowers

Are objects more real than words? Or, how poet and novelist Ben Lerner stopped being jealous and learned to love the virtual