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Contributor
Brian Dillon

Brian Dillon is a writer. His latest book Affinities: On Art and Fascination will be published in spring 2023 by the New York Review of Books and Fitzcarraldo Editions, London. He is working on a book about Kate Bush’s Hounds of Love.

Personal, vexing, intimate and profound: some reflections on Brexit

BY Brian Dillon |

‘The photographer was born in Jamaica in 1960 and grew up in Dalston, east London; he was given a Leica camera and taught darkroom techniques by a patron of his local church’

BY Brian Dillon |

the Bluecoat, Liverpool, UK

BY Brian Dillon |

Claire-Louise Bennett, Anne Teresa De Keersmaeker and Niamh O’Malley: Brian Dillon shares his highlights from 2015

BY Brian Dillon |

Brian Dillon considers the 'monstrous homunculi' of Enrico David

BY Brian Dillon |

The fate of postwar murals in the UK

BY Brian Dillon |

The life and legacy of the wildly inventive choreographer and performer Loie Fuller

BY Brian Dillon |

Brian Dillon is a writer and critic, and UK editor of Cabinet magazine. He is the curator of the touring show ‘Curiosity: Art and the Pleasures of Knowing’, which tours to Newlyn & The Exchange, Penzance (25 January – 26 April). A collection of his essays, Objects in This Mirror, was published recently by Sternberg Press.

BY Brian Dillon |

On teaching criticism and ‘art writing’

BY Brian Dillon |

There is a resurgence of interest in the essay, with collections by Jonathan Lethem, John Jeremiah Sullivan and the first biography of David Foster Wallace all published this year. Is it possible to define a form that stretches from Michel de Montaigne to Wayne Koestenbaum, from Virginia Woolf to Chris Marker? Brian Dillon surveys this enigmatic field, and asks whether this centuries-old tradition might be the genre of the future

BY Brian Dillon |

Brian Dillon visits art historian and novelist Marina Warner to talk about the art, books and objects that have shaped her thinking

BY Brian Dillon |

The fourth novel from New York-based writer Ben Marcus is a powerful allegory about language

BY Brian Dillon |

From the failures of Roland Barthes to the joys of sustained looking, four new publications on photography

BY Brian Dillon |

Cork International Airport

BY Brian Dillon |

Tate Modern, London, UK

BY Brian Dillon |

Memory, exile and cultural heritage in the films of Fiona Tan

BY Brian Dillon |

Tracing the history of ruins in art, from 18th-century painting to 21st-century film

BY Brian Dillon |