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Contributor
En Liang Khong

En Liang Khong is senior editor at frieze. His writing on politics and art has been published in Prospect, Financial Times, Times Literary Supplement, Los Angeles Review of Books, The New Statesman, The Daily Telegraph and The New Inquiry. Follow him on Twitter: @en_khong

State of the Art

The art world is not the world, but what the world needs, artists need, too

BY Evan Moffitt | 28 MAR 20

The artists, collectives, movements and tendencies that shaped art in the 2010s

BY Andrew Durbin | 13 DEC 19
Venice 2019

The Golden Lion-winning Lithuanian Pavilion, ‘Sun & Sea (Marina)’, crafts an endless pop song for the end times

BY En Liang Khong | 17 MAY 19

Leftist histories, state violence and the cracking open of time: can a ‘mere’ competition, and publicity exercise, also speak truth to power?

BY En Liang Khong | 27 SEP 18

From Budapest to Liverpool, a resurgent far-right poses a great threat to cultural freedom

BY En Liang Khong | 24 SEP 18

‘Art is not CNN,’ says Banu Cennetoğlu – new works produced with London’s Chisenhale Gallery ask: are you paying enough attention?

BY En Liang Khong | 26 JUL 18

Laments for the dead are performed in a secret crypt beneath Islington Green

BY En Liang Khong | 27 APR 18

Inspired by L. Frank Baum’s illusory city, K11’s first in-house curated show looks to the hidden forces structuring how we see the world

BY En Liang Khong | 19 APR 18

From a drone strike in Pakistan to reconstructing Syrian torture cells, a survey of the Eyal Weizman-led 'counter-forensics' agency at London's ICA

BY En Liang Khong | 26 MAR 18

From Ragnar Kjartansson’s Italo-pop-infused The Sky in a Room to Matt Stokes’s happy hardcore recitals: the organ’s profane potential

BY En Liang Khong | 09 MAR 18

Ahead of a show at Amsterdam’s EYE Filmmuseum, how the documentarian’s wandering gaze takes in China’s landscapes of loss

BY En Liang Khong | 29 JAN 18

Reopening after a two-year hiatus, London’s brutalist landmark is more than a match for the photographer’s blockbuster capitalist realism

BY En Liang Khong | 25 JAN 18

Highlights from the 2018 edition of Condo London, a collaborative exhibition by 46 galleries across 17 citywide locations

BY En Liang Khong | 12 JAN 18

The staging of an international art biennial in Anren, China, contained both Potemkinist ambition and Brechtian drama

BY En Liang Khong | 11 JAN 18

Thinking about propaganda, palimpsests, and a presentation of Tino Sehgal works in Moscow

BY En Liang Khong | 27 NOV 17

For the 6th Amsterdam Art Weekend, our picks of the best shows and events across the Dutch capital

BY En Liang Khong | 24 NOV 17

Rebecca Warren lines up a parade of pagan bronzes for Tate St Ives’s newly opened gallery

BY En Liang Khong | 30 OCT 17

Ahead of the tenth anniversary edition of Brussels Gallery Weekend, a preview of the shows not to miss around town

BY En Liang Khong | 05 SEP 17
City Report

In this microcosm of the disenfranchisement of ‘Late Great Britain’, what use is art?

BY En Liang Khong | 24 AUG 17

From an inflatable anti-capitalist dragon to the shattered shadow of Robert Burns: highlights from this year’s Edinburgh Art Festival

BY En Liang Khong | 01 AUG 17