Contributor
Evan Moffitt

Evan Moffitt is a writer, editor and critic based in London, UK. 

The artist’s latest project, recently installed at Laboratorio Arte Alameda in Mexico City, simulates the damage that a debt-driven financial system can wreak on the environment

BY Evan Moffitt |

The artist’s exhibition at Gallerie dell’Accademia, Venice, transcends the limitations of era, nation and culture

BY Evan Moffitt |

The designer seeks to empower female and queer bodies by deconstructing garments

BY Evan Moffitt |

Raw figurative paintings at Aspen Art Museum show how the artist's relocation to New York in 2020 infused new life into his work

BY Evan Moffitt |

At Kunsthalle Basel, the artist’s solo exhibition invokes state and corporate power as both literal and figurative ills

BY Evan Moffitt |

From Fire Island to Loewe at Paris Fashion Week, the New York-based artists create queer, colourful worlds

BY Evan Moffitt |

At his upcoming show at ICA Watershed, Boston, the artist transports his audience using the power of sound baths

BY Evan Moffitt |

At Tanya Bonakdar, Los Angeles, the artist presents sculptures and installations that revel in the magic past the limits of language

BY Evan Moffitt |

Emerging painter Samuel de Saboia and Rosh Mahtani, founder of Alighieri Jewellery, discuss their collaboration during Frieze Los Angeles, ‘Armour of Light, Heart of Clay’

In Collaboration with Alighieri

Evan Moffitt asks if mega-gallery OMR's newest institutional space, LAGO, could be an answer to the country's museum funding crisis

BY Evan Moffitt |

A highlight of the 34th São Paulo Biennial, the artist’s performances, combining Black queer movement and modernist dance, stand as acts of resistance and hope in a time of crisis

BY Evan Moffitt |

The artist’s sleek tableaux present ghoulish, lithesome male figures as both objects of desire and graven images of death

BY Evan Moffitt |

Evan Moffitt speaks to the interdisciplinary artist about his recent group exhibition at Bemis Center for Contemporary Arts, Omaha, and how the multidimensionality of data informs his diverse practice

BY Ekene Ijeoma AND Evan Moffitt |

David Hammons’s early work on view at The Drawing Center during Frieze Week

BY Evan Moffitt |

The artist’s exuberant sculptures and paintings, drawn from religious icons and club culture, are emblems of a changing New York 

BY Evan Moffitt AND Raúl de Nieves |

The President of Spelman College reflects on the role that historically black colleges and universities in the US have played in supporting the work of emerging artists and scholars 

BY Evan Moffitt AND Mary Schmidt Campbell |

Artists and writers reflect on domestic exhibition spaces in Los Angeles, from 1940 to the present

In the latest episode of frieze’s Autumn Sessions, the two play and discuss records that embody their friendship 

COVID-19 and Black Lives Matter were two of the major events that signalled the changes that may – and in many cases must – come next year

What key artworks can tell us about the museum’s historical biases and what’s next for the New York institution

BY Evan Moffitt |