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Contributor
Evan Moffitt

Evan Moffitt is senior editor of frieze, based in New York, USA. 

Venice 2019

The strongest exhibitions in the 58th Venice Biennale find creative freedom in failure 

BY Evan Moffitt | 10 MAY 19

At Metrograph, New York, Djibril Diop Mambéty’s newly remastered Hyènes offers a darkly comic metaphor of globalization

BY Evan Moffitt | 01 MAY 19

Two exhibitions, at MoMA and David Zwirner, reveal how the impresario and his milieu defied the rationalism of 20th-century art

BY Evan Moffitt | 01 MAY 19

Following her fellowship grant from United States Artists and an exhibition at Wrightwood 659, the designer and theorist discusses solutions to right-wing immigration policies and neoliberal economic development

BY Evan Moffitt | 01 APR 19

In the artist’s first US survey at the Aldrich Contemporary Art Museum, abstract paintings and sculptures evoke women’s bodies in pleasure and pain

BY Evan Moffitt | 19 MAR 19

A provocative exhibition at Casa Luis Barragán reframes the architect’s home and studio through his class and gay identity

BY Evan Moffitt | 18 MAR 19

From Vincent Fecteau’s killer cats to Aki Sasamoto’s barroom tricks, a selection of exhibitions not to miss

BY Evan Moffitt | 05 MAR 19

A survey at the Museum of Fine Arts, Houston, revisits the artistic movement and sheds new light on its demand for political change 

BY Evan Moffitt | 30 JAN 19
Fan Letter

‘Appointed by Barack Obama in 2009, Sotomayor is the fourth woman and the first Latina to serve on the nation’s highest court’

BY Evan Moffitt | 28 JAN 19

In a survey at Contemporary Arts Center, New Orleans, photographs by Keith Calhoun and Chandra McCormick capture life within the US prison industrial complex 

BY Evan Moffitt | 14 JAN 19
City Report

With the Menil Drawing Institute opening on the eve of the US midterm elections, what Houston says about the future of the country

BY Evan Moffitt | 04 DEC 18

At LABOR, Mexico City, the artist has dug a four-metre manhole to raise questions about the future of his hometown

BY Evan Moffitt | 02 NOV 18

The second oldest exhibition in the world, held at Pittsburgh’s Carnegie Museum of Art, makes the case for ‘museum joy’

BY Evan Moffitt | 19 OCT 18

Handing authorship of the biennial to a diverse group of artists is a democratic gesture but conveniently deflects and disperses blame

BY Evan Moffitt | 19 SEP 18

‘This retrospective portrays an inveterate outsider, a champion of the different and disempowered, as a fixture of a canon he reviled’

BY Evan Moffitt | 28 AUG 18
Influences

The artist discusses the objects, ideas and artworks that have shaped her practice

BY Evan Moffitt | 20 AUG 18

Even as right-wing politics increasingly tries to enforce them, remembering that nature and art know no borders

BY Evan Moffitt | 16 AUG 18

At the crux of this ambitious show lies the question: who is this triennial really for?

BY Evan Moffitt | 24 JUL 18

At Lehmann Maupin, New York, the artist's immersive installation and paintings from the 1970s commemorate forgotten indigenous histories

BY Evan Moffitt | 16 JUL 18

With work in the Liverpool Biennial and ICA Philadelphia, the Seoul-based artist reanimates an ancient Korean musical system

BY Evan Moffitt | 13 JUL 18