Contributor
Evan Moffitt

Evan Moffitt is a writer, editor and critic based in New York, USA. 

A surprising show of silhouettes at the National Portrait Gallery in Washington, D.C. sheds light on obscure chapters of US history 

BY Evan Moffitt |

At Museo Tamayo, artists respond to the myth of the French playwright and theorist’s drug-fuelled collapse in the mountains of rural Mexico

BY Evan Moffitt |

With his fourth plinth commission unveiled in London, the artist talks archaeological magic tricks and Saddam Hussein’s obsession with Star Wars

BY Evan Moffitt |

The Triforium – Los Angeles’s weirdest and most reviled public artwork – awakes from a long slumber

BY Evan Moffitt |

What the artist’s newly-unveiled chapel in Austin, Texas, tells us about the origins of his practice

BY Evan Moffitt |

Various venues, New Orleans, USA

BY Evan Moffitt |

Robin Campillo’s portrait of ACT UP Paris puts militancy before mourning

BY Evan Moffitt |

How Bethany Collins, Steffani Jemison, Adam Pendleton and Kameelah Janan Rasheed are using the tradition of black radical poetry to examine questions of subjectivity and race

BY Evan Moffitt |

Los Angeles Municipal Art Gallery, Los Angeles, USA

BY Evan Moffitt |

The Pirelli Building, New Haven, USA

BY Evan Moffitt |

A report from the Chicago Architecture Biennial, whose interesting provocation sadly remains unanswered

BY Evan Moffitt |

On the eve of his solo exhibition at Centre Pompidou, Paulo Bruscky talks about mail art, fluxus and outwitting the Brazilian military dictatorship

BY Evan Moffitt |

In the Rocky Mountains resort town, boutique facades hide the remnants of a surprising counterculture 

BY Evan Moffitt |

Various venues, New York, USA

BY Evan Moffitt |

What the Pride flag says about the gentrification of queer politics 

BY Evan Moffitt |

Two recent conferences at MIT and the New Museum reveal the benefits, and pratfalls, of art and science collaborations

BY Evan Moffitt |

Bárbara Wagner and Benjamin de Burca’s films probe economics, race and gender in Brazilian popular music

BY Evan Moffitt |

Rhona Hoffman Gallery, Chicago, USA

BY Evan Moffitt |

First impressions of Christine Macel’s ‘Viva Arte Viva’ in the Central Pavilion

BY Evan Moffitt |