Harry Thorne is a writer and editor based in London, UK.
Madeline Hollander’s BMW Open Work commission utilizes recycled headlights to explore forms of human connectivity
Why are we so quick to praise mass participation?
‘IF THE SNAKE’ shows a world caught in limbo – or hell
Part carbon-neutral generator, part contemporary art centre, E-Werk Luckenwalde provides clean energy and affordable studio space
A show at Gagosian, London, pairs the pop master with the early twentieth-century eccentric, beloved of Duchamp
A response to the late Greek artist’s survey at Fondazione Prada, Venice
Two concurrent exhibitions in London use mark-making as a way to get at something beyond what we see
The first in our series of reports from the 2019 Venice Biennale: the National Pavilions in the Giardini
A photograph by Berenice Abbott, and its stubborn refusal to be read
The Hong Kong-born artist showcases the darkly comic potential of cartoon visuals
This year’s biennial amplifies previously silenced voices, but the results are discordant
The poet’s new collection chronicles a father’s succumbing to dementia and a daughter’s attempt to endure
In an era marked by dishonesty, what of the age-old assumption that the eyes cannot lie?
‘This is the passing of time visualized through a contrapuntal freezing of it’
The German artist’s latest exhibition in New York ‘reopens the wounds of colonialism’ – supposedly
An exhibition at Sadie Coles HQ, London, explores how the artist captured the piercing intimacies of life
A look behind the artist’s teasing false promises at K21, Kunstsammlung Nordrhein-Westfalen, Düsseldorf
The artist draws on psychoanalysis and an ancient calendar to explore the idea that life has a predetermined narrative at Barbara Wien, Berlin
A visual essay born out of a trip the Polish artist made three years ago to the South Caucasus
A mother’s death, a father’s disinterest: Jean Frémon’s semi-factual biography of the artist captures a life beyond repair
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