K
Contributor
Kito Nedo

Kito Nedo lives in Berlin where he works as contributing editor for frieze and as freelance journalist for several magazines and newspapers. In 2017, he won the ADKV-Art Cologne Award for Art Criticism.

Art historian Sarah Archino explains her research on Duchamp and the press at the largest Duchamp collection in Europe, held in the Schwerin Museum

BY Kito Nedo | 27 AUG 14

Galerie für Zeitgenössische Kunst

BY Kito Nedo | 14 AUG 14

Discretely unfamiliar

BY Kito Nedo | 25 MAY 14

Set design takes on a life of its own: the portals and parallel worlds of FORT

BY Kito Nedo | 19 APR 14

Town planner Dieter Hoffmann-Axthelm on why Berlin needs to rethink its urban development strategy

BY Kito Nedo | 17 APR 14

A post-Bauhaus approach to transforming public and private spaces

BY Kito Nedo | 20 MAR 14

Social streaming

BY Kito Nedo | 26 FEB 14

Das Ende der Faulheit – Ortsspezifik 2013 Zu den Fragen, die 2013 angerissen, aber nicht ausdiskutiert wurden gehört diejenige, ob sich ortsspezifische Kunst temporär aussetzen lässt. Anlass dazu gab der Umgang mit der ortsspezifischen Installation The Right to be Lazy von John Knight am Berliner Hamburger Bahnhof – Museum für Gegenwart: Nach dem Willen des Künstlers verwilderte seit 2008 ein kreisförmiges Rasenstück auf dem gartenartigen Vorplatz der Institution, während die Hecken rundherum jedoch weiterhin gärtnerisch gepflegt wurden.

BY Kito Nedo | 12 DEC 13

Painting Forever! in Berlin

BY Kito Nedo | 22 OCT 13

Migros Museum für Gegenwartskunst, Zurich

BY Kito Nedo | 28 MAY 13

Tobias Naehring Leipzig

BY Kito Nedo | 23 MAY 13

Kunsthalle Bern

BY Kito Nedo | 05 APR 13

Neues Museum Weimar

BY Kito Nedo | 03 FEB 13

Surveying recent exhibitions, Kito Nedo considers the history of the carpet as an artistic medium

BY Kito Nedo | 30 OCT 12

Langen Foundation

BY Kito Nedo | 03 AUG 12

What’s behind the tabloid press’s fascination with contemporary art? And how do artists profit from it?

BY Kito Nedo | 26 MAY 12

The language of cinema and the psychology of sculpture

BY Kito Nedo | 01 MAY 12

For Mariana Castillo Deball, every artefact tells the story of its origin – and where it’s been since

BY Kito Nedo | 27 FEB 12