R
Contributor
Rosanna McLaughlin

Rosanna McLaughlin is a writer based in London, UK. She is an editor at The White Review. Her book Double-Tracking was published by Carcanet Press in October 2019.

A new publishing project misunderstands the anti-patriarchal motivations behind historical pen names

BY Rosanna McLaughlin | 28 AUG 20

In Down to Earth with Zac Efron a better body and world are but a questionable guru and a luxury holiday away
 

BY Rosanna McLaughlin | 06 AUG 20

The latest game in the popular series could mark a sea change in a market long dominated by bigotry 

BY Rosanna McLaughlin | 14 JUL 20

The AI host of Netflix’s latest reality dating show is the love child of Big Tech and Saint Augustine

BY Rosanna McLaughlin | 22 MAY 20

Can her new single, ‘Back to Me’, resurrect the career of Hollywood’s favourite fallen idol?

BY Rosanna McLaughlin | 28 APR 20

The controversial star of Netflix’s latest documentary is hard to watch – but harder to stop watching

BY Rosanna McLaughlin | 03 APR 20

The new director of London’s Chisenhale Gallery on thinking like an artist, racial hierarchies in museums and how she nearly didn’t apply for the job

BY Rosanna McLaughlin | 23 MAR 20

A new exhibition looks back at the artists who resisted poisonous cultural narratives of the ’80s and ’90s with care, humour and style

BY Rosanna McLaughlin | 03 MAR 20

Is the show's endless parade of heterosexual clichés a form of satire – or not?

BY Rosanna McLaughlin | 27 JAN 20

The moral high-ground has been claimed by many in the 2010s; it has also been placed in perpetual doubt

BY Rosanna McLaughlin | 30 DEC 19

‘Generation Q’ is as implausible as the original series, but complaining about the show’s lack of nuance is missing the point

BY Rosanna McLaughlin | 17 DEC 19

In the artist’s frank new memoir, her turbulent decade-long relationship with Lucian Freud is one trial of many to be endured in the pursuit of her art

BY Rosanna McLaughlin | 26 NOV 19

From the recent opening of the Villa Cerruti to Charleston’s new gallery, idiosyncratic museums and collections are flourishing

BY Rosanna McLaughlin | 18 SEP 19

At Studio Voltaire, London, Mary Reid Kelley and Patrick Kelley take aim at #mefirst capitalism and the gospel of self-care

BY Rosanna McLaughlin | 27 AUG 19

An exhibition at Thomas Dane Gallery, London, sheds new light on the filmmaker’s masterpiece and its appearance in pop culture and the arts

BY Rosanna McLaughlin | 13 FEB 19

The rebooted Luleå Biennial sees a subterranean exploration of the region’s industrial and militarized past

BY Rosanna McLaughlin | 10 DEC 18

At Focal Point Gallery, video-maker Ed Webb-Ingall and The British Free Cinema remind us how quickly our civil liberties can be taken away 

BY Rosanna McLaughlin | 12 JUL 18

‘Prize & Prejudice’ at London's UCL Art Museum is a bittersweet celebration of female talent

BY Rosanna McLaughlin | 14 MAY 18

In a two-part exhibition at Maureen Paley, London and Morena di Luna, Hove, Donachie's portraits free female beauty and desire from the male gaze

BY Rosanna McLaughlin | 23 APR 18