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Contributor
Stanton Taylor

Stanton Taylor is an artist and writer based in Düsseldorf. His show together with Tobias Hohn, ‘Reproduction (Coins = Smile = Food = Cry)’, runs at Galerie Max Mayer, Düsseldorf from 16 November – 21 December, 2018.

EU Reviews , Reviews
Looking for Anton Wilhelm Amo, the African Father of German Enlightenment

An exhibition at Kunstverein Braunschweig explores the life of the first African philosopher in Germany and an overlooked chapter in the country’s history

BY Stanton Taylor | 31 AUG 20
Reviews
Sit With the Cool Kids? Jay Chung and Q Takeki Maeda Take on Art-World Micropolitics

Their latest show at Kölnischer Kunstverein sees the post-conceptual duo bite into the exclusionary social realities of art making

BY Stanton Taylor | 14 JUN 19
Opinion
Puppet Politics: Artist Agnes Scherer’s Pastiche of Pantomime Power

Scherer’s ‘didactic operetta’ at Kinderhook & Caracas, Berlin, mimics a world of debased authority

BY Stanton Taylor | 22 MAY 19
Reviews
Reza Abdoh’s Theatre of the Absurd

A retrospective of the late Iranian-American director at Berlin’s KW Institute for Contemporary Art shows society in ruin

BY Stanton Taylor | 30 APR 19
Opinion
Choreographer Michele Rizzo Reveals the Ecstasy and Unredeemed Power of the Nightclub

At Amsterdam’s Stedelijk Museum, Rizzo’s performance ‘Higher.xtn’ unpicks the communal politics of the dance floor

BY Stanton Taylor | 28 FEB 19
Reviews
Ulrike Müller's Dedramatized Formalism

An exhibition at Kunstverein Düsseldorf explores how the artist shifts and transforms the categories of visual identification

BY Stanton Taylor | 16 JAN 19
Critic's Guides
The Best Shows to See in Dusseldorf

With Art Dusseldorf in town your guide to the shows not to miss

BY Stanton Taylor | 15 NOV 18
Reviews
‘I'll Be Gentle, No Consent’: Julia Scher

Julia Scher’s disconcerting 1991 immersive installation which surveilles its visitors is rebooted - and upgraded - at DREI, Cologne

BY Stanton Taylor | 22 SEP 18