The protests that derailed the Museum of West African Art’s opening reveal that neocolonial donor money and weak local patronage made it unfit for purpose
Tara Okeke is a writer and researcher from London. In 2014, she was shortlisted for Amnesty International UK’s Young Reporter Awards, and since then has worked to enliven the intersections between politics, artistic production and popular culture.
At Arcadia Missa, London, the artist’s painted radiator units become geopolitical abstractions that provoke a deeper interrogation of global power dynamics
