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Contributor
Yoon Jin Sup, Joan Kee, Sam Bardaouil and Till Fellrath

Yoon Jin Sup is a freelance curator, art critic and artist who lives in Seoul, Korea. He curated ‘Dansaekhwa: Korean Monochrome Painting’ for the National Museum of Contemporary Art, Korea, in 2012, and ‘The Art of Dansaekhwa’ at Kukje Gallery, Seoul, in 2014. He is currently President of the International Association of Art Critics (AICA) International Congress, Korea.

Joan Kee is Associate Professor of History of Art at the University of Michigan, USA, specializing in Modern and contemporary art, and the author of over 70 publications on contemporary Asian art, including Contemporary Korean Art: Tansaekhwa and the Urgency of Method (Minnesota, 2013). In 2014, she curated ‘From All Sides: Tansaekhwa on Abstraction’, at Blum & Poe in Los Angeles, USA, the first major survey of Dansaekhwa outside of Korea.

Sam Bardaouil and Till Fellrath are the co-founders of the curatorial platform Art Reoriented, based in Munich, Germany, and New York, USA. Recent exhibitions in 2014 include ‘Songs of Loss and Songs of Love’ at the Gwangju Museum of Art, Korea, ‘Overcoming the Modern: Dansaekhwa’ at Alexander Gray in New York and ‘Mona Hatoum: Turbulence’ at Mathaf in Doha, Qatar. In 2013, they curated the Lebanese pavilion at the Venice Biennale, Italy. Their latest book Summer, Autumn, Winter and Spring: Conversations with Artists from the Arab World will be published by Skira this spring.

What is Dansaekhwa and what is its legacy today?

BY Yoon Jin Sup, Joan Kee, Sam Bardaouil and Till Fellrath | 20 FEB 15