Exhibition Reviews

A survey of her paintings at Turner Contemporary, Margate, shows the consistency of her vision but reveals nothing new about the nonagenarian artist

The Museum of Mexico City group exhibition highlights artists using aesthetics to hold their governments accountable

At Kettle’s Yard, Cambridge, the artist’s survey blends playful performance and video art with subtly political, participatory installations

At Nasjonalmuseet, Oslo, a thoughtful pairing of historical artefacts and contemporary works reveals how faith, cultural belonging and queer identity intersect in unexpected ways

At Tanya Leighton, Berlin, the artist’s monumental paintings fuse musical notation, self-portraiture and colour-field intensity

At Hollybush Gardens, London, the Turner Prize winner works with commonplace items to reveal how histories and narratives are constructed, circulated and socialised

At King’s Leap, New York, the artist presents erotic sculptures that evoke cages, safes and battering rams

At Dundee Contemporary Arts, the artist turns geology, myth and agricultural memory into a sculptural landscape that exposes the urgencies embedded in Tayside’s terrain

Working at the threshold of disappearance, the artist’s paintings at Indipendenza, Rome, depict bodies flickering between presence and phantasm

Rooted in communal settings now slipping into decline, the artist’s films at Hamburger Bahnhof, Berlin, warn of our growing inability to inhabit shared environments

At the Rockbund Art Museum, Shanghai, ‘The Great Camouflage’ takes a frustrated but hopeful tone

At Gallery 1957, Accra, his monumental afrogallonist sheets and sensory installations illuminate a region’s history of mourning, migration and resilience

At The Power Plant Contemporary Art Gallery, Toronto, the artist’s video reckons with environmental engineering in the American West

At the Queensland Art Gallery and Gallery of Modern Art in Brisbane, the award-winning installation honours the past, present and future of First Nations Australians

For ‘Fantastica’, five curators stage tensions between solitary display, collective authorship and an image culture on the brink of overload

The inaugural exhibition at Space ZeroOne, New York, sketches the contours of an ambitious curatorial vision

Eschewing conventional retrospective models at Astrup Fearnley Museet, Oslo, the exhibition raises enduring questions of legacy and loss

Sam Bardaouil and Till Fellrath channel private and social longing, curating a show that shines most when engaging with the Taipei Fine Arts Museum’s collection

At Sadie Coles HQ’s new Savile Row gallery, the artist’s subjects gather in smoke-filled bars and boxing rings, their gazes unwavering, their power unmistakable

At DOOSAN Gallery, Seoul, a two-artist show about inheritance opts for connection over closure