계정
Chloe Stead is associate editor of frieze. She lives in Berlin, Germany.
From Stephanie Comilang’s genre-defying filmic portrait of the pearl industry to Sakiya’s satirical reimagining of the seat of US power
The Argentine-Spanish director on hipster journalism, ignoring filmic conventions and why she’ll never be an actor
Senior Director Laura Attanasio discusses the mega gallery’s newest location
At Bozar, Brussels, the artist’s unsettling sculptures are replete with religious imagery
Four US curators on what these wide-ranging attacks mean for their institutions and communities
The Dia Art Foundation director discusses the forging of two leading cultural organizations
The artist’s latest film at Galerie Molitor, Berlin, captures a historic Spanish festival where villagers hurl vegetables at a devil
Resident Rosanna Dean on why Hackney Council should do more to support the arts
From James Benning’s depiction of a vanishing way of life to an adaptation of Deborah Levy’s 2016 novel ‘Hot Milk’
Other highlights include a documentary made by a Palestinian-Israeli collective and the return of The Libertines
Berlin-based curator Emma Enderby on her inaugural programme, budget cuts and tarot card readings
From a long overdue retrospective of Chantal Akerman to a group show celebrating the centenary of the Surrealist Manifesto
From dynamic performance and moving image to several major biennials, four frieze editors discuss the year in art
Other highlights include a dance piece based on a cannibalistic tribal community and a novel coming-of-age story
Members of the collective What, How and For Whom/WHW on public art, Kasper König’s legacy and the safeguarding of artistic freedoms
Major surveys at the Serpentine Galleries, London, and the LUMA Foundation, Arles, celebrate the artist's enduring dedication to feminist practice and social justice
An exhibition organized by arts foundation Perasma adds to the wealth of cultural offerings in the Dodecanese this summer
Other highlights include an epistolary novel by Hannah Regel and the indie horror film 'I Saw the TV Glow'
The all-women programme ‘What if Women Ruled the World’ addresses gaps in the art historical canon
We revisit the artist’s ‘Great White Fear’ series, featuring phallic shark paintings, to evaluate its enduring message
