Contributor
Sam Moore

Sam Moore is a writer and editor. They are one of the co-curators of TISSUE, a trans reading series based in London.

An exhibition of the artist’s new work at Cubitt in London raises ethical questions about documenting intimate moments and memories

BY Sam Moore |

The artist’s solo show at Rose Easton in London features Br’er Rabbit, who rummages through cultural ruins in search of something new

BY Sam Moore |

The AIDS Plays Project re-stages theatrical works by playwrights such as Charles Ludlam and Robert Chesley

BY Sam Moore |

From Greer Lankton to Cindy Sherman, Sam Moore looks at works that have subverted the doll’s sexless femininity

BY Sam Moore |

From balletic sculptures to cyborg imagery, a group show at Gathering, London, delves into the vulnerability of our bodies

BY Sam Moore |

Laura Poitras’s documentary All the Beauty and the Bloodshed – released in the US this week – explores the artist’s defiance against injustice and erasure

BY Sam Moore |

Sam Moore profiles the shape-shifting gallery space in London that has become an imaginarium for ambitious early-career artists

BY Sam Moore |

At New Art Projects, London, the artist evokes visceral experiences of growing up queer in Britain under Section 28

BY Sam Moore |

Sam Moore selects their top picks – from William Brickel’s contorted bodies at The Artist Room to Garrett Pruter’s reimagining of Alfred Hitchcock’s ‘The Birds’ at Trafalgar Avenue 

BY Sam Moore |

Two major exhibitions at Kunstmuseum Basel and Hayward Gallery unravel the artist’s vulnerabilities through text, textile and the human figure

BY Sam Moore |

Sam Moore looks at how the artist became yet another victim of Costume Institute Benefit’s appropriation problem

BY Sam Moore |

The artist’s solo show at London’s Ginny on Frederick creates a complex confrontation with fragmented, sexualized humanity

BY Sam Moore |

The performer’s recently reissued autobiography, Man Enough to Be a Woman, offers an unapologetic blueprint for gender non-conformity

BY Sam Moore |