Reviews from around the world

His print show at STPI Creative Workshop & Gallery, Singapore, upends the question: ‘What does it mean for an artist to be ahead of their time?’

At SMAC Gallery, Cape Town, the artist’s ethereal paintings hover between accident and intention

The artist’s exhibition at Museu de Arte Contemporânea in São Paulo presents compelling investigations into surveillance, paranoia and museal security

At Azabudai Hills Gallery, Tokyo, the artist merges seemingly incompatible visual traditions, challenging the binary thinking that once marginalized him

At Asia Art Archive, Hong Kong, a show of work by Sheba Chhachhi and Lala Rukh blends art and activism

In the artist’s show at Taipei Fine Arts Museum, sculptures made with recycled goods engage with cycles of consumption

At Bangkok Kunsthalle, a show of the Sino-Thai artist’s calligraphic abstractions invites meditations on history and impermanence

At 21st Century Museum of Contemporary Art, Kanazawa, a group show about nature and technology asks visitors to listen to the trees

At his Museo Jumex survey, the artist reminds viewers of the political efficacy of games

At Jim Thompson Art Center, Bangkok, the French-Algerian artist asks how we might mend connections and cultivate hope 

At Museum of Contemporary Art Tokyo, the late composer’s sound installations commingle with restagings and responses

At QAGOMA, Brisbane, a steadfast commitment to plurality knits together deeply disparate works

The artist’s show at Rockbund Art Museum, Shanghai, sees his avatar swim across the Pacific in a journey simulated using real-time data

Bringing together work by 76 local and international artists, ‘Nurture Gaia’ turns to ancient cosmologies to make sense of the present

At Efie Gallery, Dubai, the artist’s rich textiles draw parallels between the Arabian Bedouins and West Africa

At DOOSAN Gallery, Seoul, the artist’s rhythmic abstract paintings aren't just full of movement; they also elicit it

At Museo Jumex, Mexico City, the artist investigates class and colonialism by appropriating markers of exclusion

At Leeum Museum of Art, Seoul, the artist explores the convergence of biological and technological systems – and questions notions of technological transcendence

The artist’s show at Tai Kwun Contemporary, Hong Kong, characterizes oscillation between detachment and connection as a contemporary condition

In her first major survey at Sharjah Art Foundation, the senior Māori artist’s vibrant, political landscapes highlight global indigenous struggles