As secret voices on platforms such as spittle and Hollywood Superstar Review shake up cyberspace, Sam Moore examines the rewards and risks of masked critique
Laura Poitras’s documentary All the Beauty and the Bloodshed – released in the US this week – explores the artist’s defiance against injustice and erasure
Sam Moore selects their top picks – from William Brickel’s contorted bodies at The Artist Room to Garrett Pruter’s reimagining of Alfred Hitchcock’s ‘The Birds’ at Trafalgar Avenue
From an unexpected exhibition of works by a Renaissance oddball at Ikon Gallery, Birmingham, to Ming Smith’s first UK solo show at Pippy Houldsworth, London