Issue 71
Nov - Dec 2002

Steven Stern on Rodney Graham, Joerg Heiser on romantic Conceptualism, Edward Allington on Douglas Heubler, Jan Verwoert on pleasure and criticism, Bruce Hainley on Paul Sietsema, Ronald Jones on Mans Wrange and frieze talks to Cerith Wyn Evans. P

lus Peter Ackroyd’s Albion: The Origins of the English Imagination, the philosophy of Alain Badiou, hybrid culture in Tijuana, Edward R Tufte and the art of data presentation and much more.

From this issue

An inspired moment amidst the folly and feathers in the James Bond spoof

Galerie Fons Welters, Amsterdam, The Netherlands

BY Alex Mar |

Secession, Vienna, Austria

BY Mathias Dusini |

Dundee Contemporary Arts, Scotland

BY Martin Herbert |

Deitch Projects, New York, USA

BY Karen Rosenberg |

Various Venues, Germany

BY Jan Verwoert |

Klemens Gasser & Tanja Grunert, Inc. New York, USA

BY Michael Wilson |

Norwich Gallery, UK

BY Matt Price |

Tate Britain, London, UK

BY Sally O'Reilly |

Milton Keynes Gallery, UK

BY Morgan Falconer |

UCLA Hammer Museum, Los Angeles, USA

BY Siobhan McDevitt |

Galerie fur Zeitgenossische Kunst, Leipzig, Germany

BY Dominic Eichler |

Ikon Gallery, Birmingham, UK

BY Peter Suchin |

Various Venues, UK

BY Tom Morton |

PS1 Contemporary Art Center, New York, USA

BY Peter Eleey |

Institute of Visual Culture, Cambridge, UK

BY Alex Farquharson |

Berkeley Art Museum, USA

BY Julian Myers |

Leslie Tonkonow, New York, USA

BY James Trainor |

The Whitechapel Art Gallery, London, UK

BY Tom Morton |

Orange County Museum of Art, USA

BY Andrew Gellatly |

Kunsthalle Bielefeld, Germany

BY Jörg Heiser |

Paul Sietsema

BY Bruce Hainley |

Jörg Heiser on romantic Conceptualism

BY Jörg Heiser |

frieze talks to Cerith Wyn Evans

Måns Wrange's 'The Average Citizen'

Pleasure and Criticism

BY Jan Verwoert |

Peter Ackroyd's Albion: The Origins of the English Imagination

BY Jerome Boyd-Maunsell |

Edward R. Tufte and the art of data presentation

BY Tom Morton |

The 2002 Venice Architecture Biennale

BY Emily King |

The hybrid culture of Tijuana

BY Charles LaBelle |

Tom Morton on Walt Disney, 20th-century science fiction movies and the prospect of revival from death

BY Tom Morton |

Love, truth and radical politics in the philosophy of Alain Badiou

Rock Follies: authenticity versus cynicism on the eve of punk

BY Michael Bracewell |