‘A brilliantly analytical account of how the increasing prominence of English has gradually pushed other languages to a minor role’
‘It would be easy to cry to this tune, but difficult to dance to it’
‘This performance, exquisite as always, is at once emotional and precise’
‘Despite the efforts of Trump and his ilk to deny it, the truth is out there’
‘Perhaps the shroud I am looking for is embracing lost souls and helping them to return’
‘The poet moves their hips like someone on a tram about to vomit’
A visual homage to the Netflix documentary
‘It has created a space of inclusion in a patriarchal art scene in which the visibility of female practitioners was minimal’
‘Even with the softest breeze, it comes alive and gently plays with the world around’
‘I stayed first for an hour, then whole afternoons and, eventually, days’
‘Here, the body becomes a ghostly mark in time, a blurring, a phantasm’
‘What triggered the initiation of the Association of Musical Marxists?’
‘The wide range of artists presented in this astonishing show was a provocation that will fuel many young curators and scholars in the coming years’
‘I don’t know how a poet becomes a poet. And I don’t think anyone else does either’
‘Piper reminds me that I must remain committed to both my language and actions’
With new work on view at Tanya Bonakdar, New York, a look back at the artist’s iconic Venice pavilion
‘Contemporary art institutions should stop looking to museums or theatres as role models and, instead, learn from nightclubs’
‘Nelson is wilful and demanding, forever frustrated by the gap between expression and vision, as are all great artists’
‘Gillen suggests that New York is less a place than it is an open-ended idea’
‘The contemporary global economy is based on flows and conversions of energy into information into capital’
