The artist represents the US at this year’s Venice Biennale
A new study claims that the differences between Leavers and Remainers in the UK extend to artistic taste
As Brooklyn Museum acquires Ed Clark’s Untitled (1978-80) from Frieze New York’s Spotlight section, Anne Pasternak explains the choice
Dan Fox looks at the work of Mark Bradford, who represents the US at this year’s Venice Biennale
In recent years, abstract painting has experienced both a new popularity and a critical backlash. Can it be written off as ‘zombie formalism’ or are innovative approaches to abstraction really being developed?
Frank Bowling talks about improvisation, ‘poured painting’ and getting advice from Clement Greenberg
Five painters on the role of abstraction in painting today
Artists Walead Beshty, Liz Deschenes and Eileen Quinlan discuss the return of the topic of abstraction to photography