Adrian Piper

Join us as we count down the defining works that have shaped contemporary art since 2000

In an endless stream of disposable content, why the art you remember is more significant than the art you enjoy

From Racheal Crowther’s examination into the ethics of care to SAGG Napoli’s immersive archery installation dissecting strength and gender stereotypes

At Portikus, Frankfurt am Main, the artist’s minimalist objects urge for collective self-reflection

From a spectacular solo show by Nari Ward to a plein air poster exhibition featuring Italian-based artists, here’s what to see during Miart

'52 Artists: A Feminist Milestone' at the Aldrich Contemporary Art Museum commemorates and expands upon Lucy Lippard's groundbreaking 1971 exhibition 'Twenty Six Contemporary Women Artists'

In curator Susanne Pfeffer’s latest, ‘Museum’ speaks to our moment of funding scandals, museum protests and social media outrage

‘Piper reminds me that I must remain committed to both my language and actions’

The winner of the Käthe Kollwitz Prize 2018 discusses her MoMA retrospective, Germany’s political future, and her love of jokes

In times of political turmoil, art is a necessary rebuke to escapism

On the occasion of her MoMA retrospective, six missives to the artist from her peers

From ‘Grant Wood fever’ to Adrian Piper’s homecoming at MoMA

The limits of multidisciplinarity: from Adrian Piper to the 10th Berlin Biennale

Ahead of artgèneve, a guide to the best shows to see around town

From major institutional shows to the most-talked restaurants

Reconsidering the ethics and efficacy of ‘strategic essentialism’ via Adrian Piper, ‘We Wanted a Revolution’ and Juliana Huxtable

Hamburger Bahnhof, Berlin

Are the roles of artist and writer compatible?

The first of three articles exploring art, class and precarity: a range of artists, curators and writers explore how class shapes art-making today

Various venues, Sydney, Australia