Ana Vukadin

At Matèria, Rome, the artist’s beeswax sculpture of a key figure in Buddhism reflects a significant moment in Mongolian history

From an exhibition dedicated to underground filmmaker Bruce Baillie to a group show addressing the absence of Roma visual culture in European art history

At P420, Bologna, the artist’s canny combination of materials fuels dark leaps of imagination

How spontaneous, informal networks are transforming the art scene of the eternal city

Building on the feminist themes of Deborah Levy's 'Real Estate', the artist’s solo exhibition at Istituto Svizzero celebrates women relegated to the side-lines of history

At Fondazione Memmo, Rome, the artist's latest installation voices concerns on power inequalities and global uneasiness

From Ruth Novaczek's fragmentary films at Kunstverein Gartenhaus, Vienna, to Rosa Barba's Ludwig Mies van der Rohe inspired installation at the Neue Nationalgalerie, Berlin, here are five shows not to be missed. 

Based on visits to this unique archaeological site, the artist's new series of ceramic sculptures mine the past to remind us of the fragility of the present

At Fondazione Prada, the artist’s site-specific installation plays on puns and cultural icons to debate identify politics through the story of a cartoon bear called Who

At Collezione Maramotti, Reggio Emilia, the artist’s largest paperwork to date explores the notion of movement 

At the Fondazione Giuliani in Rome, the artist looks at the playful and political aspects of disguises

How archival footage at MAXXI, Rome, brings to life Ponti’s wit, intellect and erudition

Collezione Maramotti, Reggio Emilia, exhibits the painter’s postmodernist appropriation of philosophical and historical narratives

With ‘Cantiere’, the sculptor shows himself to be one of Italy’s best kept secrets

As her retrospective at MAXXI in Rome attests, the late Italian artist believed in the power of the imagination to save lives 

An exhibition in Rome explores how a move to an ocean-side home effected a transitional late period in this major artist’s work

The work of Martin Creed, Giorgio Griffa and Tatsuo Miyajima all, in their own way, attempt to make sense of a chaotic world

Various venues, Rome, Italy