2020Solidarity/Between Bridges is selling artist-made posters to raise funds for the city’s beleaguered clubs, performers and organizers
Frieze magazine has been redesigned, beginning with our May/June issue
Contributing editor Jonathan Griffin on ageing and fallibility
Each day for the next month, we’ll highlight a different exhibition that’s affected by the Covid-19 crisis
The 2013 album is a compelling record of our collective fracturing
Speaking to frieze editor Andrew Durbin, Rainer discusses the way she resists the myths of the 1960s
New arrangements of artists from across the planet emphasize broad concepts over tidier organizing principles
Two shows at David Zwirner, New York, champion the artist's ability to capture the sound of a now-bygone world
Food is personal, and so is this issue – the first of frieze to focus on food’s aesthetic, sensorial, political and environmental role in contemporary culture
Remembering a poet who helped define a generation of American writers through his love of gossip, sex and art
The frieze editors recommend medieval feminist experimental fiction, 1930s socialist tracts and the latest sci-fi
The duo’s latest installation at the Prada Foundation is an incomplete take on contemporary America
The disaster was not a ‘uniquely’ Soviet problem
To address the ‘interesting times’ alluded to in the title of the 58th Venice Biennale, we must challenge the language we use to describe them
In its final season, ‘Veep’ satirizes the heartless ambition driving US politics
The television show – the director’s first – is a sequel to his 1997 film of California queer disillusion, Nowhere
These specially commissioned photographs capture an ever-changing city through portraits of friends
‘Gillen suggests that New York is less a place than it is an open-ended idea’
At last, MoMA has restored the dancer, choreographer and filmmaker’s 1980s classic
The artist’s sculpture possessed an almost surreal promise, as if at any moment it might become a Really Living Thing
