What does the closure of the iconic gallery mean for the New York art world?
In a new collection of essays, the writer considers art, mortality and the death of her husband, Kevin Killian
Andrew Durbin reflects on the efforts of seven centuries to monumentally exalt – and incidentally profane – the poet Dante
Ahead of a three-month project in the Rockaways, the London-based artist is thinking about home, time and community
A.S. Hamrah on the portrayal of ‘red America’ in Hillbilly Elegy, Rebuilding Paradise and Nomadland
The UK-based poet speaks with frieze editor Andrew Durbin about her debut collection of poems from Granta
COVID-19 and Black Lives Matter were two of the major events that signalled the changes that may – and in many cases must – come next year
frieze editor Andrew Durbin speaks to the author about his new essay on Bollywood for the November/December issue
2020Solidarity/Between Bridges is selling artist-made posters to raise funds for the city’s beleaguered clubs, performers and organizers
Frieze magazine has been redesigned, beginning with our May/June issue
Contributing editor Jonathan Griffin on ageing and fallibility
Each day for the next month, we’ll highlight a different exhibition that’s affected by the Covid-19 crisis
The 2013 album is a compelling record of our collective fracturing
Speaking to frieze editor Andrew Durbin, Rainer discusses the way she resists the myths of the 1960s
New arrangements of artists from across the planet emphasize broad concepts over tidier organizing principles
Two shows at David Zwirner, New York, champion the artist's ability to capture the sound of a now-bygone world
Food is personal, and so is this issue – the first of frieze to focus on food’s aesthetic, sensorial, political and environmental role in contemporary culture
Remembering a poet who helped define a generation of American writers through his love of gossip, sex and art
The frieze editors recommend medieval feminist experimental fiction, 1930s socialist tracts and the latest sci-fi
The duo’s latest installation at the Prada Foundation is an incomplete take on contemporary America
