Art and Politics

Four US curators on what these wide-ranging attacks mean for their institutions and communities

Artists, curators and the founder of the nomadic biennial come together to discuss the political and cultural hurdles involved in decentralizing the Catalan capital

The museum received tens of thousands of pounds to host the Saudi embassy just days after the murder of Jamal Khashoggi 

An exhibition at Pinchuk Art Centre, Kyiv, timed to coincide with the Yalta European Strategy conference, reminds of the corruptibility of culture

How is contemporary Aboriginal art challenging an exclusive historical canon?

Bolsonaro’s repeated insults towards women, people of colour and the LGBT community, should have been enough to derail his campaign – it wasn’t

Many assume that the greatest challenges facing Cuban artists come from within Cuba – often they don't

Works by 13 Aboriginal artists prompt reflection on the 1828 atrocity, one which represents the countless other colonial battles fought in Australia

Criticism of the show at the Hungarian National Gallery in Budapest comes alongside a nationalist reshaping of the country’s cultural policy

It’s not clear who destroyed the project – part of the Liverpool Biennial – which names those who have died trying to seek refuge in Europe

The disconnect between public museum programming and private hire couldn’t be starker – it’s time for the arts to rethink who it accepts money from

Trump’s State Department is more than 3 months late in announcing its national pavilion – testament to the chaos engulfing the administration

From Stormzy at the Brit Awards to a Steve McQueen film to Forensic Architecture's media archive, what Grenfell has shown us about ourselves

The artist presents 71 reconstructions of archeological objects in her exhibition at ARTER, Istanbul

By putting Pussy Riot on trial, the Russian authorities inadvertantly made them a household name

‘Or Whistle Spontaneously’ is an invitation to act, even if you are doomed to lose

In the inaugural exhibition at Peep Hole, the Milanese not-for-profit, Ahmet Öğüt uses the subversive powers of irony

At Govett-Brewster, New Plymouth, an exhibition direct-sells the gallery’s interests in social and political issues of migrant peoples in South Korea

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