Ayodeji Rotinwa

The protests that derailed the Museum of West African Art’s opening reveal that neocolonial donor money and weak local patronage made it unfit for purpose

At Goodman Gallery, Cape Town, the artist presents a video that addresses the issue of gender-based violence and femicide in South Africa

At Gallery 1957, Accra, the artist’s use of both Ghanaian Kente and Malian textile traditions ‘offers new possibilities for the exchange of cultural knowledge’

The Christie’s Paris sale of two stolen Igbo sculptures is proof of a racist double standard in European restitution law

Complicating the ‘disaster narratives’ associated with the Niger Delta by attending to the local ecology, and those responsible for defiling it