The Barbican

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A rare screening of ‘The Dilapidated Dwelling’ (2000) at the Barbican shows why Keiller’s films should be compulsory viewing

BY Dan Hancox |

At the Barbican, a double bill of two great photographers reveals radically different approaches to social documentary 

BY Shelley Klein |

Is the lack of social mobility in the arts due to a self-congratulatory conviction that the sector represents the solution rather than the problem?

BY Hettie Judah |

At The Barbican, the exhibition, curated by Lars Bang Larsen and Glasgow’s Modern Institute, revealed secret connections between the daylight world and its hidden shadows 

BY Jonathan Jones |