A rare screening of ‘The Dilapidated Dwelling’ (2000) at the Barbican shows why Keiller’s films should be compulsory viewing
At the Barbican, a double bill of two great photographers reveals radically different approaches to social documentary
Is the lack of social mobility in the arts due to a self-congratulatory conviction that the sector represents the solution rather than the problem?
The Barbican, London, UK
