A rare screening of ‘The Dilapidated Dwelling’ (2000) at the Barbican shows why Keiller’s films should be compulsory viewing
At the Barbican, a double bill of two great photographers reveals radically different approaches to social documentary
Is the lack of social mobility in the arts due to a self-congratulatory conviction that the sector represents the solution rather than the problem?
At The Barbican, the exhibition, curated by Lars Bang Larsen and Glasgow’s Modern Institute, revealed secret connections between the daylight world and its hidden shadows
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