Belkis Ayón

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On occasion of the artist’s posthumous retrospective at Ludwig Forum, Aachen, Aldeide Delgado unpacks the symbolism of La sentencia (1993) 

BY Aldeide Delgado |

From Belkis Ayón's feminist rituals at Ludwig Forum Aachen to Olivia Plender's forgotten feminist histories at Maureen Paley, London

BY frieze |

Love, betrayal and grief: the late Cuban artist’s first US museum retrospective reveals the full range of her powers

BY Natalie Haddad |