At Sir John Soane’s Museum, London, the artist’s depictions of the excesses of consumerism and empire are all-too seductive
As society withdrew behind screens Cal Revely-Calder reflects on how the visage has become a focal point in painting during the COVID-19 crisis
At Almine Rech, ‘Country Western’, the artist’s first solo show in the UK, draws on the unashamed iconography surrounding fame
Translations of Proust’s Sodom and Gomorrah and Duchamp’s Bicycle Wheel come together and fall apart in the artist’s latest show
All attention is an act of devotion, and patience is the pleasure of this touring exhibition of contemporary paintings
‘Walking alone, he denied himself short-cuts in exemplary style’
Sara Sinclair’s new anthology of interviews recalls the parties, the poverty and the ongoing hero worship
‘Musicality and Humour’ shows the artist at his spontaneous best
At Blain|Southern, London, the Mexican artist’s primordial canvases evoke the beginning of the beginning
‘He created rhythmic patterns that sounded, in your mind or on his voice, both adamantine and feline at once’
On show at Galerie Thaddaeus Ropac in London, the works show the American master at the height of his powers
The fallacies of ‘community building’, online and IRL, in the work of Cécile B. Evans
In ‘Clothes Line’, at London’s White Rainbow, the artist explores improvisation, social groups and the minute fluctuations of the day to day
With a republished collection of her writing by David Zwirner Books, the Italophile critic is shown to be as dangerous and uncanny as she is intelligent
Publishing elegant, peculiar studies in fine attention and finer craft, how the small London press is producing some of the best writing around
At Richard Saltoun, London, two artists share the belief that rhythm is a trait of the body and women’s bodies are too closely policed
At David Zwirner, London, studies in mortality and intimacy from the artist's final years display his remarkable stylistic range
At Alison Jacques Gallery, London, the late artist's paintings are caught in the act of testing their own mettle
Cal Revely-Calder wins the 2017 prize for his review of Dom Sylvester Houédard's exhibition 'Typestracts'
