Camila McHugh

At Hauser & Wirth, Zürich, a survey of the artist’s work from the past 30 years likens painting to shooting practice

At Galerie Gisela Capitain, Cologne, the painter displays the medium's expansive possibilities with subtle disturbances in composition and colour

At Galerie Maria Bernheim, Zurich, the artist’s series of dollhouses reference literature and art history to reveal a bygone bourgeois ideal

At Deborah Schamoni, Munich, the artist’s sparse installations use absence and the banal trappings of domesticity to talk about getting ‘turned on’