At Galerie Gisela Capitain, Cologne, the painter displays the medium's expansive possibilities with subtle disturbances in composition and colour
At Galerie Maria Bernheim, Zurich, the artist’s series of dollhouses reference literature and art history to reveal a bygone bourgeois ideal
At Deborah Schamoni, Munich, the artist’s sparse installations use absence and the banal trappings of domesticity to talk about getting ‘turned on’
