Carina Bukuts

After a series of new appointments for Berlin’s museums, Carina Bukuts discusses the future of the city’s institutional landscape with Anselm Franke, María Inés Plaza Lazo, Fabian Schöneich and Sung Tieu

During his first years as MACRO's artistic director, Lo Pinto has initiated a series of projects that break free from the limits of institutions

Carina Bukuts revisits the city-wide exhibition that celebrated the architect’s centenary while searching for signs of Berlin’s future

Recent exhibitions by Bea Schlingelhoff and Michaela Melián demonstrate that the city’s institutions are sensitively reckoning with their fascist pasts

At Mountains, Berlin, the Honduras-born-Florence-based artist explores the complex relationship between the origin and translations of indigenous knowledge

From Rebecca Horn’s kinetic installations to Richard Sides’s matrix, assistant editor Carina Bukuts chooses the exhibitions not to miss

From fetishistic sculpture gardens in Italy to a giant breast in New York, the artist speaks with Carina Bukuts on what role gender and sex play in public art

At the artist’s first institutional show in China, real life slips into the shadows of a digital world seeking to supplant it

Frieze editors discuss the different trends in digital exhibition-making, from end-of-world scenarios to community-based initiatives

From the premiere of Aby Warburg’s Mnemosyne Atlas in Berlin to Corita Kent’s political prints in Innsbruck

The co-founders Simon Denny, Willem de Rooij and programme alumni explain why artists are essential to the fabric of Berlin

From Hilma af Klint in Malmö to Mohamed Bourouissa in Frankfurt

From Joanna Piotrowska in Warsaw to Leonor Antunes in Luxembourg

This year’s Marcel Duchamp Prize winner looks at knowledge that has fallen through the cracks

At Portikus, Frankfurt, the artist pays attention to quiet but powerful acts of resistance

From Angela Davis in Dresden to Dadaist antics at Zürich's Cabaret Voltaire

As the third edition of ‘Various Others’ kicks off, Carina Bukuts selects the exhibitions not to miss

A retrospective at Taxispalais Kunsthalle, Innsbruck, shows that the artist was bold both in her combinations of typefaces and in her political statements

In an exhibition at Kunstverein München, Hill’s work from the 1960s appears prescient in its exploration of female office labour

Shannon Bool’s show at Kunstverein Braunschweig calls attention to the exoticising and objectifying vision of Le Corbusier