At The Metropolitan Museum of Art, ‘Superfine: Tailoring Black Style’ offers a sartorial response to exclusion, dehumanization and identity reclamation
From a stunning Joan Mitchell retrospective at the Baltimore Museum of Art to an exploration of enchanted modernity at The Peggy Guggenheim Collection, Venice
Jonathan Watkins’s triumphant swansong, after 23-years at the helm of Ikon Gallery, Birmingham, is the kind of historical show normally reserved for big public institutions
From an unexpected exhibition of works by a Renaissance oddball at Ikon Gallery, Birmingham, to Ming Smith’s first UK solo show at Pippy Houldsworth, London
