Damien Hirst

The Seoul-based private collector and her husband have brought showstopping works to Incheon’s Paradise City resort. She discusses female artists and her hopes for the Korean scene

At Newport Street Gallery, London, the artist performatively burnt thousands of his own works 

The jewellery designer picks works by Damien Hirst, James Turrell, Lucio Fontana Rosario de Sante Fe, Joel Shapiro and Rita Ackermann from the Frieze London 2022 Viewing Room as well as the Frieze Masters fair

‘The past must be enriched’: An interview with leading French sociologists Luc Boltanski and Arnaud Esquerre

From Tina Girouard, Carol Goodden and Gordon Matta-Clark’s SoHo restaurant to Allen Ruppersberg’s LA café, there’s an art to feeding

In further art world silliness: ‘Sprinkle urine on bad dreams,’ Marina Abramović suggests; Elon Musk in ‘farting unicorn’ dispute with potter

In further news: Buyer of Salvator Mundi made head of Saudi Culture Ministry; Sotheby’s files lawsuit against Greek government

Mo Salah’s football boots enter the British Museum; Maggi Hambling’s whiffy advice for skipping gallery crowds: the latest in art world silliness

The artist claims that he was taught ‘don’t borrow ideas, steal them’ by Michael Craig-Martin at Goldsmiths

Australian artists and dealers claim ‘uncanny’ similarities between Hirst’s ‘Veil Paintings’ and landscapes of the late Emily Kame Kngwarreye

Ei Arakawa work stolen from Skulptur Projekte Münster; Richard Mosse arrested; three men charged over counterfeit Damien Hirst prints

A stroll through the off-site shows

A guide to the off-site shows in Venice this week

LA residents call for galleries to leave their neighbourhood and legendary Factory photographer Billy Name passes away

Cases of artistic censorship increase and Jeff Koons returns to London: a round-up of the latest art news

Twinship in contemporary art

British art and the 1990s

Presented by Kaldor Public Art Projects, Sydney and curated by Klaus Biesenbach and Hans Ulrich Obrist, ‘13 Rooms’ focused on the body and ideas of performance as ‘living sculpture’

The artist's infamous sculpture prompts debate on the ethics of art conservation and when to accept the death of a work