Dan Fox

How a storied artists’ book publisher placed 1970s conceptual art into the hands of a new generation

How the artists used their underground photographic magazine to map New York’s mid-century myths

On the tenth anniversary of Kelley’s death, Dan Fox rereads the artist’s writing and criticism

Dan Fox reviews the writer’s memoir of a twilight capital of art, fashion and music

An exhibition in Edinburgh honouring Ray Harryhausen gives film historians the chance to see Medusa, the Kraken, dinosaurs and giant sea creatures

The critic’s folksy guide, How to Be an Artist, includes some valuable insight on the creative process 

Matt Wolf’s new film, ‘Recorder: The Marion Stokes Project’, is an astonishing portrait of an almost incomprehensible endeavour

Is this a show about the artist’s youth or is it about something bigger – landscape?

The art world’s dining rituals reinforce its class barriers – which is why we should value the museum coffee

What the frieze editors have been reading this week

‘Água Viva’ is a vision of a run-down and resource-scarce future

Dan Fox meets humanoid Ai-Da and the man who created ‘her’

The late pop maverick was influenced by sources as diverse as Jacques Brel, Swedish cinema and Sibelius

frieze’s Editor-at-Large considers what it means to move on

A recent celebration of the American filmmaker provided a rare opportunity to come face-to-face with a major figure of underground cinema

‘It embodies the qualities of enthusiasm, enquiry and toe-curling earnestness that art can’t exist without’

‘Cinematic’ is often overused, but Roeg’s films showed how minds and memories wander back and forth in time, colouring our experience of the world

At Brooklyn’s Triangle Arts Association, Tyler Coburn and Ian Hatcher revive the techniques of a Cold War-era covert intelligence programme

In New York, a so-called ‘exhibition’ at a ‘museum’ featuring 30 ‘artists’? Dan Fox uncovers the truth behind this dangerously timely show

Nathaniel Kahn’s new HBO film works on the assumption that money and power is all anyone in the art world is interested in