Dan Fox

Museum of Modern Art, New York and Center for Curatorial Studies, Annandale-on-Hudson, USA

Dan Fox explores the complication of class in the art world

For part five of our special series, some thoughts on the special relationship between the UK and US

Ibirapuera Park, Brazil

A panel discussion, held at Pivô, São Paulo, exploring the mushroom as motif in the 32nd Bienal de São Paulo

Following the recent New York Art Book Fair at MoMA PS1, Dan Fox profiles three independent publishers

‘Allen can take the listener from a tender meditation on the meaning of home to a stomping history lesson about Spanish conquistadors invading Mexico, and then flip right back’

On the 25th anniversary of frieze magazine, co-editor Dan Fox reflects on how publishing and contemporary art have changed

First impressions of the biennial which focuses on the uncertainty of today’s world

A quarter century of frieze;a quarter century of lessons

David Kordansky Gallery, Los Angeles, USA

The term ‘outsider artist’ is tired – but it may soon take on new meaning 

Ben Wheatley’s new J.G. Ballard adaptation continues his exploration of genre, class, comedy and violence

David Bowie as art school

Walker Art Center, Minneapolis, USA, & Tate Modern, London UK

An interview with Claes Oldenburg

Matthew Marks Gallery, New York, USA

Puns, pictograms and props in the work of Math Bass

The complicated idea of ‘home’

‘So shallow is this show that I left with the surprising sensation of knowing even less about Björk than I did when I entered’