Dan Fox

Why pop music craves art’s pieties and licensed intellectualism and art lusts after music’s broader cultural authenticity

David Levine, whose work embraces theatre, performance and video, discusses acting and identity

The texture of Rosenfeld’s work is woven from often seemingly disparate times, places and registers of culture

Dan Fox invited eight artists and artist groups to reflect on their relationships to curators and curatorial discourse

The ‘laugh-out-loud’ appeal of Michael Portnoy’s theatre production, first staged at dOCUMENTA 13, Kassel

A day long programme of film screenings, talks and readings is dedicated to British science fiction and horror writer Nigel Kneale at New York's Michelson Theater

A letter to Claes Oldenberg by co-editor Dan Fox

An update of Raymond Williams's 1975 dictionary of culture for today's art world

To coincide with the publication of his new book Retromania, Simon Reynolds talks about pop’s obsession with its immediate past

What Rob Pruitt’s The Andy Monument says about a changing New York 

Does Instituto Inhotim, a 240-hectare art park and botanical garden in south-east Brazil, represent a new kind of institutional operation?

Religion versus spirituality in contemporary art

Dan Fox talks to Simon Critchley about community, avant-garde rituals and being ‘religious without religion’

Alex Zachary, New York, USA

A recent crop of new publications exlpore the lives and histories of people and communities through music 

Matthew Marks Gallery, New York, USA

Drawings and anachronisms; books, prototype designs and romanticism

Composer Nico Muhly talks to Dan Fox about his relationship to music, cooking and collaboration

Reena Spaulings Fine Art, New York, USA

Anne Collier’s photographs of images and objects focus on the stylized vehicles of expectation and desire