The director’s latest TV series, Pistol, hovers uncomfortably between the pretense of being an art form and desperately trying to hold our attention
The first blockbuster to return to theatres demonstrates Hollywood’s eagerness to ‘exploit bodily presence for profit’ during the pandemic
The album is a timely affirmation for the global African diaspora, but it can’t be accepted as a universal representation of global Blackness
Paywalls are going up everywhere, intellectual property is being jealously hoarded, and the long-predicted streaming wars are finally on
In the 2010s, nearly every blockbuster film has been a visual-effects-driven fantasy spectacle owned and distributed by a single corporation
Ellis’s paintings are spring-loaded with overlapping references to film and television, current events, art and cartoons.
In further art world madness: Basquiat heads to Broadway, and Disney’s spray-painting drone
Snow White, architecture and intolerance
Tom Morton on Walt Disney, 20th-century science fiction movies and the prospect of revival from death
Artists' animation
