The first blockbuster to return to theatres demonstrates Hollywood’s eagerness to ‘exploit bodily presence for profit’ during the pandemic
The album is a timely affirmation for the global African diaspora, but it can’t be accepted as a universal representation of global Blackness.
Paywalls are going up everywhere, intellectual property is being jealously hoarded, and the long-predicted streaming wars are finally on
In the 2010s, nearly every blockbuster film has been a visual-effects-driven fantasy spectacle owned and distributed by a single corporation
Ellis’s paintings are spring-loaded with overlapping references to film and television, current events, art and cartoons.
In further art world madness: Basquiat heads to Broadway, and Disney’s spray-painting drone
Snow White, architecture and intolerance
The prospect of rebirth through cryonics