Douglas Crimp

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The activist and videomaker’s adaptation of Nikolai Erdman’s The Suicide (1928) is a production of pure absurdity in the face of mortality

BY Mackenzie Lukenbill |

The late art historian and activist inspired generations of young artists and writers to better teach themselves 

BY Thomas J. Lax |

From existentialist heartthrobs to the end of existence: what to read this weekend

BY Paul Clinton |

Galerie Buchholz and Arsenal Institut für Film und Videokunst, Berlin, Germany

BY Karen Archey |