Ed Atkins

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Venice 2019

From Marina Abramović to extinct tropical birds, seeing more than what’s there

BY Matthew McLean | 20 MAY 19

At Haus der Kunst, Munich, artists including Ed Atkins and Otobong Nkanga explore compliance and resistance in an era of wild digitalization

BY Franziska Sophie Wildförster | 30 APR 18

From the exhibitions attempting to formulate ‘an acerbic language that speaks to our present epoch’, curator Samuel Leuenberger's highlights

BY Samuel Leuenberger | 07 DEC 17

Helen Marten responds to Ed Atkins’s new work, Old Food, currently showing at Martin-Gropius-Bau, Berlin

BY Helen Marten | 29 NOV 17

On the recurring appearance of the mask in art

BY Charlie Fox | 01 OCT 17
News

Cal Revely-Calder wins the 2017 prize for his review of Dom Sylvester Houédard's exhibition 'Typestracts'

13 SEP 17
News

This year’s prize, judged by Ed Atkins, Chris Kraus and Pablo Larios, is now open for entries

27 MAR 17

The first of our 2016 highlights series features Marianna Simnett, Stranger Things, and a trio of the year's best 'freak moments'

BY Charlie Fox | 05 DEC 16

Ed Atkins, Carol Rama, Wael Shawky, and more: this week's must see shows and events

BY Barbara Casavecchia | 01 NOV 16

To celebrate frieze’s quarter century, the editors choose 25 key artworks: one for each year of the magazine’s existence

18 AUG 16

The collector, primarily of digital and time-based art, explains why she is opening a space in Berlin

BY Kito Nedo | 01 JUN 16

The difference between ‘what if’ and ‘as if’ scenarios, and what contemporary art has to do with it

BY Timotheus Vermeulen | 27 APR 16

Abjection has gained renewed currency as art looks to the body and states of digital and physical decay

BY Ed Atkins | 18 MAR 16

dépendance, Brussels, Belgium

BY Laura Herman | 13 FEB 16

Nightmarish virtual environments populated by avatars of white men plagued by sorrow and desire at dépendance, Brussels

BY Laura Herman


 | 04 JAN 16
Influences

19 artists writes about a work of art that influenced them

30 SEP 14

A conversation between Ed Atkins and Matthew De Abaitua about the intertwining of art and technology

BY Matthew De Abaitua | 12 AUG 14

Dan Fox invited eight artists and artist groups to reflect on their relationships to curators and curatorial discourse

BY Dan Fox | 13 APR 13

In recent years, artists in the UK have increasingly turned to narrative cinema and mainstream TV, a shift that has coincided with a renewed interest in the video and new-media practices of the 1970s and ’80s. How does this relate to issues of funding, ideology, duration and display? A round-table discussion with artists Ed Atkins, Melanie Gilligan, Anja Kirschner and Ben Rivers

BY Dan Kidner | 01 OCT 11

High definition videos and B-movie soundtracks; technical effects and cadavers

01 MAY 11