In our first issue of the new decade, we look back on some of the best (and worst) of the last ten years and find a few reasons to be excited for 2020
From Somerset to Menorca, H&W’s ‘art centre’ model has redefined what a commercial gallery can be. Can our public institutions compete?
From Chelsea Manning to Edward Snowden to the Trump–Russia dossier, public outcry has soon reverted to business as usual
From parafactual entertainment to teen TV and the ‘flood’ of content
Wolfson believes art has no relationship to ethics; after a decade of shock, it’s hard to take him seriously
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