Two cities, two creatives, two shows
Marking fifty years of his brand this year, the celebrated designer talks about spending lockdown as the sole occupant of his office - and his plans for the future
Can Reiner Holzemer’s documentary finally lift the lid on the famously private designer?
From an MRSA Quilt to a Plague Dress, how artists are transforming the intersection of medicine and textiles
‘Kimono: Kyoto to Catwalk’ is a mesmerizing display of silk brocades and detailed craft, but glances over history’s muddier moments
With a bacchanalian presentation at Pitti Uomo, the New York designer continues to take the fashion world by storm
From normcore’s resurrection of the hoodie to gorpcore’s luxe ‘into the woods’ aesthetic
The West London designer behind Saint London talks through his label’s development, and the role his website has played
The Asian-American designers embrace alienation as an integral aspect of identity
25-year old designer Reece Yeboah on the ‘crazy journey’ of his label, Saint London
Matty Bovan on the role the online plays in his mission to challenge and push ‘taste’
An exhibition at the Bard Graduate Center tracks women’s contributions to the industry, as styles shifted ‘from frivolous to functional’
A new book and exhibition celebrates contemporary Black photographers working across art and fashion
From Boudicca to the French revolution’s cockades, brooches have always been used to convey politically-charged messages
Beyond the fun and spectacle of ‘Tim Walker: Wonderful Things’, something more subtle, yet equally important, is happening
An exhibition at Vitra Design Museum documents the movement’s influence on commercial products
As catwalk season begins, the activist behind the original slogan t-shirt says that sustainability must no longer be optional
Extinction Rebellion are calling for the event to be replaced with a ‘people’s assembly’ to declare a climate emergency
The historic image was taken by Tyler Mitchell — the first African-American to shoot the cover of Vogue
From Miss Havisham’s wedding dress to Hans Christian Andersen’s ‘The Red Shoes’, why we’re so obsessed with murderous clothes