Feature

Novelist Ida Marie Hede reflects on bad dreams, Marianna Simnett and Disney princesses

Ahead of his 13th feature film, Saint Narcisse, the cult film director speaks with Michael Bullock about the importance of self-love and self-exposure 

The painter, writer, educator and self-described ‘art appreciator’ invites us to follow and think alongside her

A.S. Hamrah on the portrayal of ‘red America’ in Hillbilly Elegy, Rebuilding Paradise and Nomadland

Art and the climate share a crucial trait – rapid change. Carson Chan explores how a theory of ‘liquid modernity’ has made new waves in art and asks: What if art institutions acted like water?

A century ago, the novelists Hermann Hesse and Thomas Mann depicted a world recovering from war and pandemic. What can we learn from translating their works today?

With a new show, ‘Paradise Edict’ at the Haus der Kunst, Munich, Jane Ure-Smith chats to the artist about his influences and the power parallels between modern politics and historic Christian art

As an exhibition of his work heads to the Whitney Museum of American Art in New York, the photographer speaks to poet Simone White about the changing landscape of Harlem and US institutions

A look at Germany’s exhibition landscape shows the importance of identifying blind spots

Germany's Green Party wants to get rid of the word ‘race’ in the German constitution. Natasha A. Kelly writes about what actually needs to change in Germany

During the turbulent summer of 2020, the filmmakers decided on decentring the human in their practice 

Stephen Squibb on the tactics of untruth, from Martha Rosler to Hito Steyerl

The artist's augmented-reality works are freeing public sculpture from the ‘ideology of control’

The author of Glitch Feminism on correcting the cyberfeminist canon, the Black trauma at the root of memes and why online space is still ‘real’

Negar Azimi on Adnan’s sensuous intellect

 An exclusive excerpt from her forthcoming book

Renowned poet Joan Retallack reads Adnan’s poetry

Omar Berrada on the artist’s polymathic imagination

For Adnan, art and politics need not be in conflict

‘Technological advancement does not assuage our fears’