Film

A new spirit of bleak realism and self-questioning has infiltrated comic adaptations everywhere

At New York’s Lincoln Center, the artist’s films speak to the enduring violence caused by forced exile

The British filmmaker discusses ‘The Souvenir’, her latest acclaimed picture, at Frieze

A report from this year’s MeetDocs Eastern Ukrainian Film Festival in Kharkiv

A new wave of stand-up specials, sketch shows and comedy-dramas are dismantling Hollywood’s white monolith, one gag at a time

‘Kara Walker reinvents painting and drawing’s conventions, while talking about ideas that are epic in scale and deep in blood,’ Als writes

As the artist’s largest survey to date opens at Zeitz MoCAA and Norval Foundation, Cape Town, Sean O’Toole examines his dadaist lexicon 

In a new collection, the author of ‘Visual Pleasure and Narrative Cinema’ updates her approach to feminism and psychoanalysis 

The London-based filmmaker will work on site in close ‘proximity to the gallery’s collection, research and teams’

In the artist’s largest survey to date, science fiction and narratives of black resistance offer a vision of a more inclusive future

From The Wicker Man to Ari Aster’s latest film, joyful sounds can reveal the darkest worlds

The most complex question the director asks is why not just beat up the bad guys

Screening at galleries around the world, the singer’s work repurposes the pop music video into an artwork of museum quality

Based on the 2014 Badaun gang-rape allegations, ‘Article 15’ fails to disrupt its ‘Brahmin saviour’ narrative

In My Mother Laughs, Akerman’s pain while watching her mother’s health worsen becomes entwined with the shock of heartbreak

From Miss Havisham’s wedding dress to Hans Christian Andersen’s ‘The Red Shoes’, why we’re so obsessed with murderous clothes

New award offers support and platform to 10 artists, whose works will be screened at Frieze Los Angeles 2020

From clitoris avatars to deep fakes, the non-fiction moving image festival presents a novel use of cutting-edge technology    

‘Movies don’t change, and I do, and I don’t. Memory isn’t a choice and, like everyone, I forget way more than I can recall, necessarily.’

The Korean director’s win marks a return to the expected, after years of films with mixed critical and populist support taking the top prize