Frank Bowling

From Sofia Mascate’s whimsical reimagining of Diego Velázquez at BPA Space to Reinhard Mucha’s major retrospective at K20 and K21

From Kate Dunn’s quasi-religious vision of the rave to Alicia Henry’s unique take on portraiture, these are the best shows in the West End  

From Shanghai-based artist Yu Ji’s national debut to the largest exhibition to date of British surrealist Eileen Agar, these are the must-see shows

Motion and migration in the paintings of Frank Bowling

‘Who’s Afraid of Barney Newman (1968) invokes a multiplicity of diasporic readings’

In further news: Stedelijk explains why it cancelled Ettore Sottsass retrospective; US National Gallery of Art cancels Chuck Close and Thomas Roma exhibitions after sexual misconduct claims

A revelatory exhibition cements a rising appreciation of African American art

A series from Frieze Week pairing established and emerging artists at this year’s fair 

Frank Bowling talks about improvisation, ‘poured painting’ and getting advice from Clement Greenberg