Gallery 1957

At Gallery 1957, Accra, his monumental afrogallonist sheets and sensory installations illuminate a region’s history of mourning, migration and resilience

The chief curator at the Kemper Museum of Contemporary Art picks Yeesookyung’s take on Joseon-dynasty and a Lotus Kang sculpture

From an exhibition that positions paintings as ‘Popstars’ in Tokyo to the inaugural group show of a new curatorial collective in Dubai

The gallery, based in Accra and London, aims to connect local and international artists amidst a critical and commercial surge of interest in Ghana

At Gallery 1957, London, the Ghanaian artist explores Stuart Hall's theory that cultural identity 'belongs as much to the future as it does to the past'

At Gallery 1957, Accra, the artist’s use of both Ghanaian Kente and Malian textile traditions ‘offers new possibilities for the exchange of cultural knowledge’

Gallery 1957, Accra, Ghana

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